Romance

An EX-cruciating Experience

  • Title: The Ex
  • IMDb: link

Nothing tires me out and makes me more bored than a lazy film that relies completely on formulaic plotlines and predictable story.  The Ex is just such a film, and not even the casting of some truly funny people can save this film from itself.  It’s just a stupid, boring, excruciating bore.

The Ex?  Well, at least we know the same amount of time and energy that went in to making this turkey was also used to come up with the title.  “The Waste” or “The Crap” or “The Disappointment” would all have been (slightly more) appropriate titles as well.

Tom Reilly (Zach Braff) is a nice guy who’s just never been able to hold down a stable job.  Now that his wife Sofia (Amanda Peet) has just delivered their first child Tom decides to leave New York and take Sofia’s father (Charles Grodin) up on his offer to work at his ad agency in Ohio.

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Elizabethtown disappoints

  • Title: Elizabethtown
  • IMDB: link

elizabethtown-posterElizabethtown has everything going for it, good stars, a diverse supporting cast, awesome music, and many of Cameron Crowe’s little trademark touches.  So why did I leave the theater so disappointed? 

The more I thought about the film my disappointment turned to anger.  The only story line that hasn’t been stolen from one of his earlier films, the effect of the death of your father, is constantly interrupted by an overly cute love story and a collection of the oddest and nicest group of hicks you will ever meet.  I guess everyone who grew up in Mayberry moved to Elizabehtown.

Drew Baylor (Orlando Bloom) is having a bad week.  First he is fired after some kind of tremendous blunder that has something to do with shoes, his shallow girlfriend (Jessica Biel) leaves him, and his boss (Alec Baldwin) makes him give an interview accepting total responsibility for the failure. 

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No Sparks

  • Title: The Last Kiss
  • IMDb: link

the-last-kiss-posterWe get the likable Zach Braff in an unlikable role.  We get the writer of Crash and Million Dollar Baby doing a by-the-numbers romantic dramedy.  And we get the director of The Last Samurai to put it all together?  These are all talented people, but I just have to wonder how they all got involved in such an unlikely run-of-the-mill Hollywood project.

Michael (Zach Braff) is about to turn 30.  He is in love with his fiance Jenna (Jacinda Barrett), who is carrying his child, but he just isn’t happy.  Call it cold feet or doubts, but Michael sees his life mapped out, and has he says “there’s no more surprises.”

At a friend’s wedding, Michael meets Kim (Rachel Bilson) who, for reasons that are never explained or explored, is immediately taken with Michael and starts to come on to him, in the way that beautiful women do to average guys only in films, despite the fact he explains he is involved with another woman.  This new temptation for Michael may be his last surprise, or his last chance to break-out and seize passion.  Will he be tempted, and if so what consequences will befall such a choice?

I don’t need to tell you how the film ends, or which woman Michael chooses.  Unless you’ve never seen a by-the-book Hollywood romantic comedy you already know.

One of the problems however is when we are introduced to Michael and Jenna we see love, but no passion, no spark.  They could be best friends perhaps, or even brother and sister, by why are they getting married?  Whether it’s just on-screen chemistry or poor writing, Braff and Bilson work much better than Braff does with the woman his character supposedly loves.

There are other subplots involving Michael’s friends, and Jenna’s parents (Blythe Danner, Tom Wilkinson), who all have their own emotional problems.  There’s Chris (Casey Affleck) who is involved in a loveless destructive marriage only for the sake of his small son.  There’s Kenny (Eric Christian Olsen) who loves women but not relationships, and finally a poor friend (Micahel Weston) who’s so obsessed with a woman that no longer wants him he spends the entire film moping.

None of these stories are very interesting, by themselves or together.  Braff’s first big role since Garden State would inevitably get comparisions, and this one just doesn’t measure up.  Where Braff’s film had a unique voice and style and a very delicate relationship, this just seems to be regurgitated Hollywood romantic slop.

From my comments so far you may think I hated the film.  Not true.  Despite the fact that the film never comes together there are several small pieces and performances that work well, just not quite enough to carry the film.  Braff knows just the right notes to hit with this character and Danner and Wilkinson each give a nice nod in small but important supporting performances.  The real thrill of the movie is Rachel Bilson who steals every moment of the film in which she appears; too bad her part wasn’t larger.

Despite some nice performances and some enjoyable moments, The Last Kiss is a trainwreck.  I can’t quite bring myself to recommend it but if you’re gotten nothing else to do on a lazy weekend then I guess you could spend your time in worse pursuits.  But if you want to see a much better love story with some of the same actors I’d suggest picking up Garden State on DVD (read that review here).

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Who Would Trust These People?

  • Title: Trust the Man
  • IMDb: link

Here’s everything you need to know about Trust the Man.  Every single moment in the film is done for a laugh, even the dramatic moments, and it’s not really a comedy.  We’ve got the man who’s afraid of commitment, the woman who dates all the wrong guys, the cheating husband, and the frigid wife.  What keeps the film from being an outright bore is the likeability of its stars, who do what they can with a pretty average script; they aren’t quite able to save it, but do provide some memorable moments.

Tom (David Duchovny) and Tobey (Billy Crudup) are best friends.  Tom is married to Tobey’s sister Rebecca (Julianne Moore) who is best friends with Tobey’s wife Elaine (Maggie Gyllenhaal).  The trouble is Tom and Tobey are typical Hollywood movie husbands who can’t help but disastrously screw up their relationship because the script tells them too.

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Duff-defying

Save me from teen starlet sisters and their wacky romantic comedies.  While I’m sure young girls (and old perverts) might find something to enjoy in the latest Duff n’ Duff production, I wasn’t amused or angered at what was put in front of me.  All I could muster was an empathic feeling of embarrassment for everyone involved.

Material Girls
1 Star

I usually like nothing better than to rip a film like this to pieces, but this one is so bad that I actually became sorry for all those involved.  Rather than pointing out the films poor acting, writing, production, and directing, I’d just like to offer everyone a great big hug and a shoulder for all involved to cry themselves back to sanity.  Don’t worry; you’ll work again…probably.

The Marchetta sisters, Tanzie (Hilary Duff) and Ava (Haylie Duff), are heirs to a cosmetic fortune held in trust by their father’s best friend (Brent Spiner) after his death.  They’re rich and spoiled, but are good natured, honest, nice and sweet.

Just days before receiving control of their company the girls get an offer to sell out to their competitor, Fabiella (Anjelica Huston).  Shortly afterward news breaks on the troubling side effects of the new cosmetics put out by Marchetta, sending the girls on the run from the paparazzi.

Together with the help of a lawyer (Lukas Haas) and a scientist/valet (Marcus Coloma) the girls find happiness, despite the loss of their millions, and begin investigating the incident in order to recover their wealth and clear their father’s good name.

Where to begin?  The movie feels like a made-for-TV after school special from the eighties.  I didn’t know Brent Spiner and Anjelica Huston were so hard up for roles.  I really hope they get back on their feet and are able to put food on the table with the checks from this film.  I wonder if there’s a celebrity charity hotline I could call and offer them my help?

The film has a loose plot that revolves around the sisters getting into different kinds of trouble (the “humorous” not the dangerous kind), reconnecting with their housekeeper (Maria Conchita Alonso – Where have you been?  It’s been long time since The Running Man).  Nothing remarkable to talk about here; the hijinks of the girls are your usual B-sitcom variety.

This one’s not going on anybody’s resume.  The more I watched the film the sadder I got for the Duff girls.  Really, I wanted to advise them to burn every copy of this film.  More than anything it shows the lack of range of both sisters, who might be at home on a TV screen or in a music video, but are sorely lacking the star power needed to carry a film (at least one that was seemingly written by thirteen year-old girls over lunch one dreary afternoon).  Hopefully the film won’t lose too much money, and they’ll be able to get back their TV commercial jobs selling gum.

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