Babylon is a hot mess. Writer/director Damien Chazelle‘s look at the excess and self-indulgence of 1920s Hollywood at the end of the silent film era is itself a bloated, self-indulgent, clusterfuck of a film that weaves through the lives of troubled star Jack Conrad (Brad Pitt), newly discovered Nellie LaRoy (Margot Robbie), and behind-the-scenes up-and-comer Manny Torres (Diego Calva).
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The third movie of the troubled franchise, Snake Eyes: G.I. JOE Origins turns back the clock to offer an origin story for the most popular member of G.I. JOE. The film plays fast a loose with the character’s history replacing his past as a soldier with that of a underground street fighter and member of the Yakuza. Snake Eyes (Henry Golding), who is named in the most ridiculous way possible, saves the life of Tommy “Storm Shadow” Arashikage (Andrew Koji) who invites him to join his ninja clan.
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