Science Fiction

LEGO Star Wars: All-Stars – From Trenches to Wrenches

  • Title: LEGO Star Wars: All-Stars – From Trenches to Wrenches
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LEGO Star Wars: All-Stars - From Trenches to Wrenches television review

The new LEGO Star Wars offers a more open-ended universe for characters across all eras. The show’s first episode ties together several shorts previously released online with the premise of R0-GR (Matthew Wood) sharing adventures from his new autobiography to various characters. The stories range from his inglorious days as part of the Droid Army and adventures on various worlds over the years including Endor, Naboo, Jakku, Takodana, and Tatooine. Various characters show up both in the flashbacks and as R0-GR’s captive audience in the present including Han Solo, Chewbacca, R2-D2, Cassian, the Freemakers, Maz, Rose, and Admiral Ackbar. While lightweight, and mostly forgettable, the first episode of LEGO Star Wars: All-Stars still proves to be more fun that the mostly disappointing Star Wars Resistance.

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Samurai Jack – Episode XIII: Aku’s Fairy Tales

  • Title: Samurai Jack – Episode XIII: Aku’s Fairy Tales
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Samurai Jack - Episode XIII: Aku's Fairy Tales TV review

Throwback Tuesday takes us back to the adventures of the time-displaced samurai and his quest to make his way home. The First Season finale of Samurai Jack is an unusual episode as it is presented entirely from the perspective of the show’s villain, Aku (Mako). Frustrated with the growing hero worship for Jack (Phil LaMarr), Aku gathers children together and tells them a series of fairy tales in an attempt to present himself as the hero and paint the samurai as the villain.

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First Man

  • Title: First Man
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First Man movie reviewAdapted from the book First Man: The Life of Neil A. Armstrong, director Damien Chazelle‘s story about the life and career of Neil Armstrong (Ryan Gosling) is a well-made film highlighting various moments of the astronaut’s life before the fateful first steps of the moon landing. There’s obvious care taken into the look of the film, various historic NASA elements, and capturing Armstrong both at work and with his family. The movie doesn’t delve too deep into what made Armstrong tick (there’s nothing here you won’t find on Wikipedia, for example), and jumps around quite a bit during early segments. That, along with Gosling’s stoic performance, does keep the audience at arm’s length as I struggled to connect emotionally with the factually accurate tale that still left me a bit cold.

First Man isn’t focused solely on Armstrong’s career at NASA, nor his family life, nor even the series of personal and professional tragedies leading up to walking on the moon. Instead First Man attempts a more comprehensive look than it can comfortably deal with in an already long 141-minute running time. This leaves us with a good film, that I enjoyed, but one I’m unlikely to revisit anytime soon.

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