Sofia Coppola

Priscilla

  • Title: Priscilla
  • IMDb: link

Priscilla

A far cry from the overindulgent train wreck of 2022’s Elvis, writer/director Sofia Coppola‘s latest film casts the spotlight not on Elvis Pressley (Jacob Elordi) but on Priscilla (Cailee Spaeny) and how Elvis’ fascination with her changed her life in both positive and disturbing ways. Those who place Elvis on a pedestal may take issue with Coppola’s screenplay, as did Lisa Marie Pressley. However, the film is adapted from Priscilla’s own 1985 biography, notably toning down some of the more shocking moments of their lives together, and Priscilla served and as an executive producer to the film.

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The Best Movies of 2010

This wasn’t a year to wow you. 2010 may have been somewhat of an off year for movies, but there are several quality films that hit theaters this year which are worth noting. A couple things struck me as I was putting together this list. First, how actresses stepped up huge this year. Whether in lead or supporting roles, it was a year dominated by the performances of the fairer sex. And second, 2010 was a year of raw emotion, almost visceral, brought to screen. You might argue that one or two of my choices didn’t have elaborate plots, but each delivered on an emotional level.

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Somewhere

  • Title: Somewhere
  • IMDB: link

Slow-paced, and deeply personal, writer/director Sofia Coppola‘s latest project isn’t for everyone, but it suits me fine. This semi-autobiographical, intimate look at a young daughter’s relationship to her celebrity father opens with fifteen minutes (of the films 96 minute running time) without any dialogue. American audiences may well struggle with the very old school European style of storytelling, but if you have the patience Somewhere has much to share.

Stephen Dorff stars as Hollywood star Johnny Marco. Johnny’s life consists mainly of making movies, attending press conferences, living out of a hotel (the Chateau Marmont, where much of the film was shot), paying strippers (Kristina and Karissa Shannon) to perform in his home, hosting parties, sleeping with a variety of sexy strangers, and spending time with his pre-teen daughter Cleo (Elle Fanning). Every detail of Johnny’s professional life is planned by an unseen voice over the phone (Amanda Anka) telling him when and where he’s needed, and his personal life consists mostly of waiting for his next set of instructions.

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