Sports

Moneyball

  • Title: Moneyball
  • IMDB: link

moneyball-posterIn the early 2000’s the Oakland A’s had just lost three of their big name stars and the small market team was in trouble in terms of continuing to compete in a league where they could be outspent by more than $100 by the likes of the New York Yankees. A’s General Manager Billy Beane (Brad Pitt) knew something had to change.

Hiring an assistant (Jonah Hill) who believed the team could compete by relying on sabermetrics (created by Bill James) rather than traditional models of building a team, Beane became an innovator by showcasing how a small market team could compete against the big boys.

The film begins with the playoff loss to the Yankees in 2001 and follows the rocky course of Beane instituting a completely new way of thinking to the old school baseball front office scouts and staff. The film highlights the early struggles and eventual success of the team over the 2002 season as well as focus on Beane’s relationship with his daughter (Kerris Dorsey).

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Warrior

  • Title: Warrior
  • IMDb: link

warrior-posterIn 1976 a struggling young actor and writer starred in a film he had penned. The tale of an unlikely underdog from the streets going the distance with the champ made critics and audiences take notice and transformed Sylvester Stallone into a star. The next year Rocky would take home three Oscars including Best Picture. And Hollywood has been trying to remake it ever since.

Much like last year’s critically acclaimed The Fighter (a film others liked more than I did), Warrior begins as a broken family drama concerning two brothers and ends as a typical Hollywood underdog tale complete with training montages and a final showdown in the middle of the ring. Warrior is certainly a little more polished than The Fighter, and presented in a more mainstream Hollywood fashion, but the results are (not surprisingly) very similar.

The film follows the lives of two estranged brothers, both in need of an influx of cash, who separately begin fighting in local MMA matches and are chosen to take part in the sport’s biggest payday ever where 16 fighters will fight to earn a purse of $5,000,000.

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Win Win

  • Title: Win Win
  • IMDB: link

win-win-posterWin Win is writer/director Thomas McCarthy‘s weakest effort. Now that might sound bad, but only until you realize the man has put together a pretty impressive resume so far.

McCarthy both wrote and directed The Visitor and The Station Agent, as well as penning the original story Pixar’s Up was based on. That’s a pretty high mark to live up to, and so I can forgive him if his latest is only a very solid indie flick rather than hands down one of the best films of the year.

Paul Giamatti, in the kind of role he’s known for in indie flicks like this, plays lovable loser Mike Flaherty. Mike is a struggling attorney in a small town who helps make ends meet by moonlighting as the wrestling coach for the local high school. He’s also dealing with financial problems, stress attacks, and a kind, but needy, elderly client (Burt Young) – all of which he’s trying to keep from wife (Amy Ryan) and children (Clare Foley, Sophia Kindred).

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The Fighter

  • Title: The Fighter
  • IMDB: link

Far more about family than boxing, The Fighter stars Mark Wahlberg as Mickey Ward, a middling junior welterweight professional boxer from Lowell, Massachusetts, who grew up with several sisters and an older half-brother, Dicky Eklund (Christian Bale), a once talented boxer who wasted his career away on crack and tomfoolery.

Everyone is well-cast and the performances, especially that of Bale, are top notch. The film includes clips of the real Mickey and Dicky during the closing credits and Bale is spot-on in his portrayal. The biggest surprise for me, however, was Amy Adams putting out a strong performance far outside her comfort zone by playing against type.

The script has been kicked around Hollywood for the better part of the decade with several names attached to direct (Martin Scorsese, Darren Aronofsky) and star (Brad Pitt, Matt Damon). Eventually David O. Russell was given the chance to direct Wahlberg and Bale. Maybe they should have waited a little longer.

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