Steven Spielberg

Why Minority Report Kinda Sucks

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  • Title: Minority Report
  • IMDb: link

Released in 2002, Steven Spielberg‘s Minority Report offered a slick sci-fi thriller set in the not-too-distant future resulting in huge financial and critical acclaim. However, before it was a feature film adapted by Scott Frank and Jon Cohen (who admitted in an interview with Script Magazine that he didn’t understand the original story) The Minority Report was a short novella by Peter K. Dick. And for those who read the story before seeing the movie it’s almost impossible to reconcile the fundamental changes to not only the narrative but also the core ideas Dick was exploring to such an extent that the film’s title no longer makes sense. It would be another decade before a writer and director would so fundamentally misunderstand their source material resulting in Man of Steel.

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The Fabelmans

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  • Title: The Fabelmans
  • IMDb: link

Steven Spielberg‘s semi-autobiographical Hollywood version of his childhood ends on a high note with one of the best scenes of the year (which I certainly won’t spoil for you here). The journey to that moment takes a little longer than it should and feels a bit like a greatest hits album rather than one coherent narrative, jumping around to important moments in the life of Sammy Fabelman (Gabriel LaBelle & Mateo Zoryon Francis-DeFord) which would mold him into the man and filmmaker he would become.

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Lincoln

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  • Title: Lincoln
  • IMDb: link

lincoln-poster

Director Steven Spielberg‘s follow-up to last year’s disappointing War Horse is a far more personal character study of a single man during one of the most tumultuous times in America’s history. Adapted from Team of Rivals: The Political Genius of Abraham Lincoln, rather than give us a Hollywood version of “This is Your Life,” Lincoln chooses to focus on the final four months of Abraham Lincoln‘s presidency and the end of both the Civil War and slavery.

Daniel Day-Lewis carries the movie with yet another strong performance as our title character, and Sally Field is surprisingly terrific in the role of Mary Todd Lincoln. Although there is more going on, much like Paul Thomas Anderson‘s The Master, Spielberg’s movie can really be boiled down to two performances that elevate the story around them.

Tony Kushner‘s script focuses on the law, backdoor politics, and Lincoln’s struggle to reunite the Union and abolish slavery rather than the Civil War, which is only used as a backdrop to the events occurring in Washington D.C.

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Spielberg’s Best Film in 12 Years

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  • Title: Munich
  • IMDB: link

munich-posterStephen Spielberg‘s Munich is a personal story that is deeply moving and emotionally challenging to the viewer.  Hard questions are asked about the nature of revenge, assassination, and the right of a people to protect themselves through any means necessary.  Not since Schindler’s List has Spielberg taken on such a momentous undertaking that produced such extraordinary results.  This is his best film in over a decade and, it can be argued, the best film of his entire career.  In Munich Spielberg becomes the storyteller of a very personal story of pain, loss, vengeance, betrayal, murder, and death.  Munich is tremendous filmmaking and one of the best movies of the year.

The film begins with the abduction and murder of eleven Israeli athletes at the 1972 Olympic Games in Munich.  Munich tells the story of the fallout of this tragedy as Avner (Eric Bana), a Mossad officer and son of a hero, is chosen by the Israeli Prime Minister (Lynn Cohen) to lead a team and hunt down and kill all 11 of the terrorists responsible.  Avner accept the assignment and leaves his pregnant wife; he travels to Europe with his team to track down and assassinate the members of Black September.

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