Superman

Superman/Batman #76

  • Title: Superman/Batman #76
  • Comic Vine: link

For a comic that boasts the names of two of DC Comics most famous heroes in it’s name Superman/Batman has been largely forgettable. There are several reasons for this which include so-so storytelling, hit-and-miss art, and the fact it takes place outside of DC’s continuity.

With issue #76 writer Judd Winick puts Dick Grayson under the cowl for the first time. The story begins just after Final Crisis and runs, roughly, up to the present. That’s quite a bit of ground to cover. Given that, the result is a bit mixed.

On the plus side the story gives us Superman’s perspective on the death of his friend in some pretty well-written scenes between Supes and Lois, and later with Wonder Woman, and (more than a few) shots of the Man of Steel staring into space. There’s also a very human, if completely un-characteristic moment when Superman sees Dick in the Bat-suit for the first time. It works, but it’s a little heavy-handed for my tastes.

For an issue of this title it’s one of the best, but that’s not saying much. Aside from a panel here and there (such as Batman being brought back to the Batcave) I’m not that impressed with the art by Eddie Berganza who can’t seem to draw Superman the same way in any two panels (there was even one panel I thought he was weaving Superboy into the story for a moment!), or draw him significantly different than anyone else with dark hair seen here. That said, it’s a story that should be told as well as read. Worth a look.

[DC $2.99]

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Superman #700

superman-700-coverTo be honest I haven’t been a regular reader of Superman for a very long time. Much like Batman #700 this issue gives us three tales, though here they are unrelated.

The first guest-stars the Parasite in the long awaited reunion of the Man of Steel and Lois Lane. The last is a grief stricken woman laying a planet-sized guilt trip on our hero causing him a level of introspection that seems odd given the length in his history (you’d think he’d have come to grips with such circumstances decades ago).

But it’s the middle story, guest-starring a young Dick Grayson as Robin, that works best. There are some fun moments including Superman trying to save Dick from Bruce’s wrath by quickly doing his homework and the Batman’s message to Clark in the epilogue. Worth a look.

[DC $4.99]

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DC Super Heroes: The Filmation Adventures

  • Title: DC Super Heroes: The Filmation Adventures
  • IMDB: link

This two-disc set collects 18 cartoons made by Filmation during the late 1960’s and features some of the heroes of DC Comics.  Those familiar with the heroes, and with some affection to them already, should have a good time here as the cartoons give them the respect they deserve.  Though they could have used some better (and more varied) stories – and villains.  Not one of the classic DC baddies, from any of the characters’ rogues galleries, makes an appearance!

These short episodes were mainly used as filler between the big episodes on The Superman Aquaman Hour of Adventure.  There’s only so much you can accomplish in eight minutes, so don’t expect much character development.

Each of the heroes’ episodes have their own intros which, like the show, are narrated by Ted Knight.  More than the actual stories themselves these intros are what really stick out on the collection.

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Soaring Through the New Frontier

  • Title: Justice League: The New Frontier
  • IMDb: link

“We need our heroes to stand up and show us what this country is supposed to mean.”

Although I’m a huge fan of the Justice League animated series I wasn’t too thrilled with their first big feature film Superman: Doomsday (read that review).  On hearing their next project would be an adaptation of Darwyn Cooke’s DC: The New Frontier, I was a tad skeptical about what the finished project might look like.  I shouldn’t have worried; this time they get it just right.

Set i the 1950’s, an age of distrust and the height of McCarthyism, the film opens with the end of the Korean War and test pilot Hal Jordan (David Boreanaz) ill-fated final mission.  It’s appropriate the film (not counting the pre-credit sequence) opens with Jordan, because he more than any other character is asked to carry the film.

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It’s a Bird, It’s a Plane, It’s Murder!?

  • Title: Hollywoodland
  • IMDb: link

Hollywoodland

Hollywoodland isn’t quite what you’d expect.  Much more an art house character study than a Hollywood thriller, it provides some genuinely funny and dramatic moments.  Although Hollywood does raise its ugly head in places, for the the most part it’s a well acted and well financed small film that finds most of the right touches to provide an intriguing look at the life, and death, of the man who many saw only as Superman.

George Reeves (Ben Affleck) is dead, and private investigator Louis Simo (Adrien Brody) wants to know why.  Sure he’s in it for the money and fame, but the more he becomes entangled in the web of lies and mysterious secrets, the more he needs to know the truth.  Was it a suicide like the local police want everyone to think?  Or was it murder?

The film follows two lives over the course of its two-hour running time.  The first is the life and career of George Reeves.  The second is the life of Simo which, in many ways, mirrors Reeves own in how it falls apart over the length of the film.

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