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Jurassic World: Chaos Theory – Aftershock / Rest Stop

  • Title: Jurassic World: Chaos Theory – Aftershock / Rest Stop
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Jurassic World: Chaos Theory - Aftershock / Rest Stop

Set after the events of Jurassic World: Camp Cretaceous, in a world when dinosaurs roam freely, we catch up with Darius (Paul-Mikél Williams) living alone and hunting the Allosaurus that killed his friend Brooklynn (who appears in flashbacks) which gets away again in the opening scene. The struggle with adapting to life in the “normal” world is the first theme of the show. The reintroduction of Ben (Sean Giambrone), fully consumed by conspiracy theories, introduces the second theme about someone targeting the Nublar Six including sending raptors after Ben and Darius.

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Love Lies Bleeding

  • Title: Love Lies Bleeding
  • IMDb: link

Love Lies Bleeding

Love Lies Bleeding reminded me strongly of body horror with the genre turned on its head by highlighting the glistening muscled bodies of female body builders, often even providing close-ups of bulging muscles, fetishizing them not for the grotesque but instead with more seductive ends in mind. While the purposes are different, the end result remains much the same with the focus on the body at times overpowering that of the character.

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Dark Cloud

  • Title: Dark Cloud
  • IMDb: link

Dark Cloud

Suffering from memory issues and panic attacks after an accident, former actress Chloe Temple (Alexys Gabrielle) enrolls herself in a tech company’s test program agreeing to say in an AI house created to assist her rehabilitation and recovery. Neither her sister (Anna Stranz) nor her boyfriend (Toussaint Morrison) are supportive of her decision, but after the initial awkwardness Chloe does find some comfort in the support and isolation AIDA (Emily Atack) provides. However, she becomes quickly concerned with her privacy and safety where AIDA is concerned.

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Desperately Seeking Susan

  • Title: Desperately Seeking Susan
  • IMDb: link

Desperately Seeking Susan

Hanging together by a number of coincidences and chance events, 1985’s Desperately Seeking Susan plays of the rising popularity of Madonna in her first film role as the bohemian drifter Susan and Rosanna Arquette as the bored housewife mistaken for her leading to a farcical thriller concerning some stolen Egyptian earrings neither women realize are worth enough to kill for. Despite Arquette getting the much larger role, much of the marketing featured more on Madonna playing on the musician’s popularity and first on-screen role.

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