Western

The Revenant

  • Title: The Revenant
  • IMDb: link

The RevenantWriter/director Alejandro González Iñárritu offers a straightforward tale of survival and revenge based on the true experiences of a frontiersman left for dead in 1823 in South Dakota. Bleak may not be a strong enough word for the film’s tone, but Leonardo DiCaprio makes it work as fur trapper Hugh Glass who struggles to survive after being attacked by a grizzly bear and left for dead by a member (Tom Hardy) of the group who had sworn to look after the wounded man.

The Revenant is the type of movie you are more likely to appreciate than enjoy, and I don’t see myself returning to the film any time soon. That said, Iñárritu unquestionably delivers a stunning film of personal survival that is completely engrossing to watch. It’s impossible not to root for Glass and his struggle to make it back home and exact some measure of revenge for what was done to him.

Entirely DiCaprio’s film, with the exception of one or two scenes which Hardy steals, the other notable members of the cast are Domhnall Gleeson as the leader of the company fur trapping expedition and Forrest Goodluck as Glass’ son Hawk.

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Coming Soon – Jane Got a Gun

  • Title: Jane Got a Gun
  • IMDb: link

 

 

Here’s the first international trailer for Jane Got a Gun, an upcoming western starring Natalie Portman as a desperate woman who must convince a former fiance (Joel Edgerton) to save her husband (Noah Emmerich) from the local gang that is hunting him down. Ewan McGregor, Rodrigo Santoro, Boyd Holbrook, and Alex Manette also star. Jane Got a Gun will open in theaters next February.

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Slow West

  • Title: Slow West
  • IMDb: link

Slow WestHow many westerns can you name where the lead character isn’t a gunfighter, sheriff, rancher, farmer, or outlaw? Written and directed by John Maclean, Slow West stars Kodi Smit-McPhee as Jay Cavendish who has arrived in the new world and headed west in search of the love of his life (Caren Pistorius) who fled her homeland with her father (Rory McCann) following an unfortunate accident which makes their return to Scotland impossible.

The far-too-trusting Jay is encountered by bounty hunter Silas Selleck (Michael Fassbender) who offers his services to keep the young man alive (while failing to state his real reasons for doing so involve the $2,000 reward on father and daughter). Over the film’s 84-minute running time the pair meet an odd assortment of characters and get into a few scrapes that, along with flashbacks to Scotland, begin to inform the audience of the tragedy surrounding Jay and his crusade.

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The Legend of the Lone Ranger

  • Title: The Legend of the Lone Ranger
  • IMDb: link

The Legend of the Lone RangerGore Verbinski‘s meandering take on The Lone Ranger wasn’t the first modern take of the masked man on film. Released in 1981 amidst negative backlash for the movie’s producer suing actor Clayton Moore to prevent him from appearing in public as the character he played on television, and the bad press of having a difficult unknown actor whose voice had to be dubbed for The Lone Ranger‘s words to be understood, the film never really stood a chance.

Here’s the thing about the much despised The Legend of the Lone Ranger – it’s actually not a bad movie. And it’s certainly a tighter and more complete origin story than Verbinski’s version. Yes it’s cheap (especially compared to the money thrown around in the new version), but it’s far more faithful to the source material (including John Reid meeting Tonto as boys and the real reason John was shipped off East) than this new version. It also has the feel of a western rather than just another big budget Hollywood action film accidentally stuck in the Old West.

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The Homesman

  • Title: The Homesman
  • IMDb: link

The HomesmanProduced, directed, and adapted from Glendon Swarthout‘s novel by Tommy Lee Jones, The Homesman is an odd little pet project with good intentions which eventually gets away from its creator.

Set in the mid 19th Century, Hilary Swank stars as tough-as-nails 31 year-old spinster Mary Bee Cuddy who would gladly trade a portion of her thriving Nebraska farm for the love of a man. Despite the danger, Cuddy agrees to take three local women (Grace Gummer, Miranda Otto, Sonja Richter) all driven insane by harsh western life back east and deliver them to a preacher who will reunite each with their families. Her time with the woman brings to the surface Cuddy’s own internal struggle to achieve the kind of life expected of her complete with husband and children.

As a companion she selects a surly claim jumper named George Briggs (Jones) who she saves from the noose and agrees to pay $300 dollars at the completion of their journey. Despite being the best thing about the film, Swank’s character is eventually overshadowed by Briggs whose madness and antics eventually take over the film.

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