Veronica’s (Megan Mullally) first order of business now that she’s taken charge of the company is to bring in some more paying customers. Unfortunately for Oz (Christian Slater), Cameron (Bret Harrison), and Cash (Alphonso McAuley) this means her attempt to nix Contra working their annual pro-bono contract for Maxim magazine.
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Breaking In – Who’s the Boss? Read More »
The world is attacked by alien race from another dimension known as the Daemonites who travel through dimensions in search of gravity which they mine and sell as a commodity. If they are aware of damage done to the lifeforms in the dimensions where the gravity miners strike they are unconcerned about it.
The title gets a new artist and writer but it may be too late to save the title, at least for me. Paul Jenkins makes a couple of nice changes. First, we don’t get any awkward juvenile allusions to Midnighter and Apollo‘s relationship. Second, Jenny Quantum finally gets in on the action.
New artist Ignacio Calero also makes a tremedous difference. Although he’s still stuck with the New 52 design of the characters they look much cleaner and better defined than in all previous six issues of the title.
However, there are some issues. The narrative forces the Martian Manhunter to be vague about his knowledge of the aliens for no other reason that to give us a final page reveal of the threat – even though this puts his teammates in danger.
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Nicholas Lash continues to search for clues into the mysterious woman and the odd circumstances that left him with a vandalized house, the loss of a limb, and a bizarre manuscript that has more truth in it than he originally realizes.
My problem with issue #2 was it was entirely set in the past. This month’s issue not only returns the Nicholas Lash character, but starts him on an investigation which should bring both storylines together.
In the past we see just how powerful Josephine’s pull over Hank is, and when confronted by a deranged cultist from her past, we see her ability to bend men to her will can have deadly consequences. I’m not quite as sold on the corrupt cop storyline, but I’m willing to wait to see how it all plays out.
A very strong issue that doesn’t give away many of its secrets but doesn’t feel like its necessarily obscuring a reveal for another month either. I can’t wait to see where this supernatural noir goes from here.
[Image, $3.50]
With only a week to go before the show’s first workshop, which will be attended by potential investitors, tensions start to fray. Julia (Debra Messing) struggles to finish writing the play – while staying far away from Michael (Will Chase) especially now that her husband (Brian d’Arcy James) has returned, Ivy (Megan Hilty) starts to panic as she looses her voice during rehearsals, and Karen (Katharine McPhee) deals with the real possibility she might be asked to step into the starring role.
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Happy Feet Two is an unimaginative, paint-by-the-number sequel to a very average animated film. Happy Feet told the story of Mumble (Elijah Wood), a young penguin who couldn’t sing but had a talent for dancing. In the sequel its Mumble’s son Erik (Ava Acres) who is a bit of an outcast because he is afraid to dance and prefers to dream about flying.
Much like Mumble in the first movie, Erik will be separated from the main group of penguins and together with a few friends will learn valuable lessons about life and being yourself. The only thing the sequel adds is the presence of humans who are used more like a McGuffin that anything else.
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