Comics

Threshold #3

Threshold #3While I wasn’t looking DC Comics launched their only thinly-veiled rip-off of Marvel Comics’ Guardians of the Galaxy as part of the New 52. Now I love the Guardians (both original and newer versions), so the concept of a rag-tag DC version of space explorers told by the extremely talented Keith Giffen doesn’t sound like that bad of an idea to me (even if the comic really isn’t all that interesting or well-told). At worst it would just be another New 52 mistake I could blissfully ignore. And then this happened.

Threshold #3 introduces the beloved character of Captain Carrot, created by Roy Thomas and Scott Shaw in 1982,  to a new generation of readers. Normally something like that would get standing applause from me. However, given the character gets his own 90’s Image Comics Exteme makeover (which seems to now be a prerequisite for any and all classic DC characters) I’m far less pleased.

I love Captain Carrot. I’m also extremely fond of Rocket Raccoon. You know what I’m so pleased with? Captain Carrot redesigned as a more extreme version of Rocket Raccoon.

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Batman and Robin #18

Batman and Robin #18Following the events of Batman Incorporated #8, writer Peter J. Tomasi and artist Patrick Gleason offer us this silent issue of the Dark Knight quietly dealing with the death of his son Damian. Even without a single word spoken (or even showing up in an old fashioned thought balloon) Batman and Robin #18 is the first of the “Requiem” crossovers to focus on the fallout of Robin’s death (and not just stick it in as a B-story).

Although Gleason offers several strong splash pages, some of the smaller individual panels of Batman out and about in Gotham aren’t quite as strong. This is certainly a comic that would have been better off to showcase more than one artist to carry so much of the weight of the storytelling.

On one hand, the issue puts Damian’s loss at the forefront and showcases the toll it’s taking on Batman. On the other hand it’s still a bit of a cheat as the hard but necessary conversations after such an event have still yet to take place. However, the set-up certainly makes the only words we do see, Damian’s final message to his father, certainly have a greater impact. Worth a look.

[DC, $2.99]

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Fairest #13

Fairest #13“The Hidden Kingdom” concludes with Rapunzel in full control of her bezoars and a war brewing on the streets of Tokyo between two sets of Fables. Not only does Fairest #13 resolve the dispute between the two groups, it also allows Rapunzel to keep a promise to her old lover Tomoko and return her Foxfire (despite Tomko’s attempts to control and kill Rapunzel in this very arc).

We still don’t know what happened to Rapunzel’s actual children, although we do learn that Frau Totenkinder does indeed know their fate (but, despite what her daughter believes, may not actually be responsible for their kidnapping). And I’ll admit I would have liked to see Rapunzel stay with Tomoko rather than return to Fabletown with Joel Crow, but as the saying goes you can’t go home again.

I enjoyed Rapunzel’s story, and hope to see more of her in the future, but I’m glad to see this story arc wrapped up here and move on to something new. The tone of the last couple issues took a darker turn than I was expecting, and, although it works, I’m hoping for a little more wacky fun with Bill Willingham‘s return next issue. Worth a look.

[Vertigo, $2.99]

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Worlds’ Finest #10

Worlds' Finest #10After the attack on her island by members of Holt Industries last month, Power Girl decides to give her former boyfriend a little payback using her powers to create natural disasters around his most valuable facilities including even causing a small earthquake which accidentally gets a little out of hand.

As Power Girl cleans up the mess she started from spreading any further, the Huntress does some digging on her own and finds out that Michael Holt is Mr. Terrific. The celebration of the successful mission will have to be put on hold as the Huntress learns of Damian‘s death and barely gets away before Batman finds her crying at Robin’s grave.

After missing for several months Kevin Maguire is back, and for the first time in the series’ near year-long run he’s the only artist on display giving the comic a much more cohesive look than usual. I like the idea of Power Girl being far more hot-headed and mischievous in using her powers than either Superman or Supergirl while pointing out what the ramifications of that would look like. The scenes with Huntress grieving over Damian are also handled with care. Worth a look.

[DC, $2.99]

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Age of Ultron #1

Age of Ultron #1I have absolutely no idea what the point of this comic is supposed to be. Marvel’s ten-issue event begins here with only the smallest appearance of it’s leading villain. What we do get is some weird dystopian alternate reality (think Age of Apocalypse but half-assed and really crappy) where the world has fallen to Ultron and D-list villains like the Owl are powerful enough to take down Spider-Man.

Nearly the entire issue is dedicated to Hawkeye‘s bloody rescue of Spider-Man from the Owl and his goons. Making it back to Avengers headquarters we briefly meet far-less heroic versions of Iron Man, Luke Cage, and She-Hulk. Along with Wolverine and Emma Frost it appears the heroes of this world have nearly given up as Ultron reigns supreme and Captain America lacks the will to lead his team into action.

Aside from being extremely violent, unnecessarily gritty, and all around unenjoyable, this first issue is also rather pointless as we don’t really spend any time getting to know any of these versions of classic Marvel characters. Maybe they’re saving that for the next nine issues. God help us all. Pass.

[Marvel, $3.99]

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