Whiteout
- Title: Whiteout
- IMDB: link

Although Whiteout was slightly better than I expected, the film is nothing more than your basic thriller complete with a masked killer, a plucky detective with hidden scars, dangerous situations (most of which could be avoided the slightest hint of common sense), and a late plot twist which is far less surprising than it’s expected to be.
Kate Beckinsale stars as US Marshall Carrie Stetko. Due to an unfortunate case in her past, which we are given glimpses of in flashbacks, Carrie transferred as far from the action as possible. For years she has been the law in the icy wilderness of Antarctica where nothing ever happens.
Until now! Cue the suspenseful music.
Only days before her vacation, when the last planes will leave the Antarctic station for winter, a body is discovered. Carrie will have to put her past behind her and with the help of her doctor friend (a gruffy looking Tom Skerritt) and an agent from the United Nations (Gabriel Macht) she’ll try to find a killer from among the small population of the research station.
…


Adapted by creator Shane Acker from 


Ang Lee (Crouching Tiger, Hidden Dragon, Lust, Caution, The Ice Storm) has crafted some moving films over the years. He’s also responsible for a few which have missed the mark (Hulk, Ride With the Devil). Sadly, his latest is the later. In terms of recreating the scope and magnitude of Woodstock, the film succeeds, but in almost every other way it fails to impress.
Quentin Tarantino is a filmmaker. Love him or hate him, the man has a passion and reverence for cinema as well as a definite style in crafting his own projects. Inglourious Basterds, the writer/director’s latest, took more than a decade to come to the screen. The film is many things, but boring isn’t one of them. Insane and glorious, Tarantino has finally succeeded in crafting a film I can’t help but love.