Movie Reviews

An American Girl

  • Title: Kit Kittredge: An American Girl
  • IMDB: link

“Don’t let it beat you.”

The American Girl series focuses on young fictional heroines centered in and around important historical events.  The Mattel dolls have spawned books, magazines, and countless accessories, and now a major motion picture.

Abigail Breslin stars as the precocious Margaret Mildred “Kit” Kittredge, an aspiring pre-adolescent reporter in Cincinnati, Ohio, during the Great Depression.  Kit’s life, and those of her firends and neighbors are turned upside down due to the Depression which causes her father (Chris O’Donnell) to seek employment in Chicago and her mother (Julia Ormond) to take in boarders (who include Joan Cusack, Stanley Tucci, Glenne Headly, and Jane Krakowski) to make ends meet.

Kit takes most of this in stride and attempts to use her new experience to become a real reporter and get her first story in print, if she can just get her work past that persnickety editor (Wallace Shawn).

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The Incredible Hulk

  • Title: The Incredible Hulk
  • IMDB: link

Movie comic book heroes beware there is a new monster in town and he’s a creature to reckon with. This summer blockbuster certainly follows up the Iron Man hit with no shame. The Incredible Hulk blows the previous failed attempt away and leaves the audience in astonishment with a strong leading man, Edward Norton.

The Incredible Hulk simply can’t fail as this summer’s blockbuster with such a powerful cast, impressive CGI and ball-busting action scenes. The Hulk is a force to beat this summer and is accompanied with such greats as Iron Man , The Dark Knight , Hellboy , Hancock and Wanted . What did we ever do to deserve such a summer of decadent viewing pleasures of action, violence, super heroes and happy endings?

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What Happened?

  • Title: The Happening
  • IMDB: link

A good film reviewer, like a journalist, should be unbiased when covering a subject.  If you’re walk into a movie theater with abnormally high hopes for a film, it might be more difficult admitting actual faults in the movie after it’s finished playing.

Well, I like to think I can keep myself reasonably unbiased; but I’ve been rooting for writer/director/producer/actor M. Night Shyamalan‘s extra loudly ever since he began to be unfairly trashed (circa his 2004 let-down, The Village).  So I walked into Shyamalan’s newest effort, Rated-R thriller The Happening hoping it would be a bright bastion of tense filmmaking that would force the haters to concede to Shyamalan’s talent.  And yet, even with my high hopes and willingness to overlook slight errors in the filmmaker’s work, I found myself actually laughing out loud at – not with – much of The Happening.

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They Know Kung Fu

  • Title: Kung Fu Panda
  • IMDB: link

The makers of Kung Fu Panda could have gone about their job a lot of different ways.  They could have made a send-up of the Kung Fu genre in line with what Shrek has done to fairy tales, or they could have given us a totally neutered beast with cartoon violence a la Wyle E. Coyote.  Thankfully they chose neither, and elected instead to make the most bad-ass Kung Fu movie allowed the Computer Animation genre today.

Po is a humble, walking and talking Panda Bear whose dreams for Martial Arts super stardom are held back by his father’s noodle shop that occupies his time, and the extra hundred pounds hanging off of his belly.  But when he accidentally falls into the ceremony held to name the oft-anticipated prodigy Dragon Warrior, he stumbles into destiny as an ancient turtle grandmaster of the art, Oogway, gives the title to the reluctant and obese bear.

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‘Zohan’ a Mess

  • Title: You Don’t Mess with the Zohan
  • IMDB: link

Adam Sandler, for all of the attention going to Judd Apatow‘s posse, might still be the king of the Hollywood Comedy.  Every of the past five years, he’s released a mainstream comedy that’s grossed into nine digits, even though they’re all shallow attempts at humor that make the actors’ meager but entertaining first efforts Billy Madison and Happy Gilmore look like they belong on AFI’s 100 lists.  We would all like to see Sandlers latest, You Don’t Mess With The Zohan, be a return to those mid 90s semi-classics; but it’s only a strange permutation of the mainstream, dry comedy that Sandler has been dropping on us for a decade now.

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