Movie Reviews

Hot for ‘Rod’

The fact that the movie is from the guys that gave you the SNL Digital Short Lazy Sunday.  Is more than enough reason to see the movie.  But if you need more, feel free to read this review.

Hot Rod
4 Stars

Do yourself a favor: go to the Lonely Island website.  The Lonely Island, the comedy trio who made on-line shorts for years before joining SNL and penning classics like ‘Lazy Sunday’ and ‘Dick in a Box,’ are the prime players behind Hot Rod, and have a fairly distinct brand of man-child humor that might not strike everyone as funny; but fans of the trio will find everything they could possibly hope for out of a Lonely Island film in Hot Rod, and I’m guessing it will carve out a fair few fans for the boys.

Rod is a twenty-something, stuntman-wannabe still living with his loving mother, and his ex-military step-father Frank, (played to perfection by the cock sucker himself, Ian McShane) who’s never quite taken to his step-son.  Rod tries to earn Frank’s respect by fighting him, but Frank always throws him down.  So when Rod, still winless, finds out that his step-father is on his death bed and needs $50,000 for a heart-transplant, Rod sets out on a mission to raise the cash so that Frank can get back in fighting shape and (hopefully) finally have his ass handed to him by Rod when.

What follows is a film that knows how to make you laugh with a style of humor that is unique and off-beat without ever being too off-putting.  It’s probably not ideal for anyone over the age of 40, but as a 19-year-old I can say that this is a fine comedy and one that justifies the price of admission to anyone who isn’t old enough to rent a car.

The writing and direction may at times seem outdated or just plain crappily done, thanks to this film’s cliché-a-minute pace; but these trite moments – like Rod’s calming by summoning the spirit of an eagle – quickly pass from tired and cheesy moments to self-mocking and 80s bashing humor that culture geeks will cherish.  The film is, clear and simple, a product of three dudes who grew up two decades ago, in a period when the only thing bigger than a man’s boldness was his ego.  Rod and his friends are clearly guys who wants to be the hardest bad-ass mamma jammas out there, but its this desire to be the alpha male that makes these losers lose as bad as they do.  It’s the reason that they’re still living at home and living through their imaginations influenced by one too many episodes of Walker, Texas Ranger.  One scene where Rod threatens his step-father, saying that “He won’t be smiling . . . WHEN I MURDER HIM!” might just have the funniest line of the whole film because of the balance of Rod’s macho spirit and his not so macho manner.

The performances are perfect across the board, with all of the players conveying a subtle exaggeration behind every over-delivered line, with the exception of Will Arnett.  I’m tired of seeing this guy play the same stupid asshole that once worked so well (like in Arrested Development,) but is starting to get tiresome (like in Blades of Glory.)

Like I’ve said, the humor isn’t a perfect fit for everyone, but in the end it’s a film that comes out as a complete winner.  Without ever ripping anyone off, it takes a page of inspiration as an off-beat comedy about losers from Napoleon Dynamite, throws in the ego-driven laughs of Will Ferrell & co., and even manages to fit in references to Voltron and Captain Planet.  Is there anything else you could ask for from a comedy?

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The Simpsons on the Big Screen

  • Title: The Simpsons Movie
  • IMDb: link

“Why would you pay to see something you can see for free on TV?”
—Homer Simpson

The Simpsons Movie movie review

If you’ve watched thw show you know the basic formula of it’s 18 years of success: Homer (Dan Castellaneta) screws-up, Bart (Nancy Cartwright) gets into trouble, Lisa (Yeardly Smith) fights for a lost cause, Marge (Julie Kavner) gets angry, and by the end of the episode everything turns out fine.  Not surprisingly the script for this movie version holds true to form.

The main story involves the obsessions of Homer with a new pig and Lisa with cleaning up Lake Springfield.  When these two storylines converge Springfield is put in danger (guess who’s to blame) and the family finds itself hated by their friends and hunted by President Arnold Schwarzenegger and the EPA.

The film is enjoyable and fans will not doubt flock to the theaters to have a chance to see their favorite characters on the big screen.  However one does have to ask why this film was made, and why was it made now while the show is still in production?  In one of the better jokes (though it rips-off Jay and Silent Bob Strike Back read the review) Homer asks the very same question.

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No Need For Reservations

  • Title: No Reservations
  • IMDb: link

“You know better than anyone.
It’s the recipes you create yourself that are the best.”

No Reservations movie review

Kate (Catherine Zeta-Jones) is the head chef at an upscale New York restaurant.  She’s also compulsive, anal, controlling, and a times what could be referred to as a bitch on wheels.  All this changes when her sister dies in a car accident leaving her young daughter Zoe (Abigail Breslin) in Kate’s care.  To make matters worse the owner of the restaurant (Patricia Clarkson) has hired a new chef (Aaron Eckhart) to spice things up and pick-up the slack in the kitchen as Kate deals with her grief and new responsibilities.  You can guess where the story goes from here.  Kate learns to be more open and accepting, Zoe struggles with her mother’s death and new surroundings, and the animosity between Kate and Nick turns into love just as movie romances always seem to do.

No Reservations isn’t a bad film, but it’s so predictable and tame that it more resembles a frozen dinner than cuisine.  If not for the fact of casting three remarkably talented and likable leads the film would be almost completely unwatchable.  Though the star power isn’t enough to turn this turkey into a swan it does enough to make the film at least palatable.

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Worth a Listen

  • Title: Talk to Me
  • IMDb: link

Talk to Me

Petey Greene (Don Cheadle) is a con artist and a convict.  Dewey Hughes (Chiwetel Ejiofor) works for the local Washington D.C. radio station WOL.  Through a chance meeting as Dewey visits his brother (Mike Epps) in jail a long, and often tumultous, friendship develops between the pair which lands Petey an opportunity as a disk jockey.

Martin Sheen provides a nice supporting performance as the radio station’s manager who is less than thrilled with putting a malcontent ex-con who speaks his mind on the air.  Dewey’s gamble pays off however and Petey provides the voice the station and its listeners have been waiting for.

The film is bursting with great performances.  Aside from the two leads, who will knock your socks off, and the nice turn by Sheen, the film also features Taraji P. Henson as Petey’s girlfriend and Cedric the Entertainer in a humorous and subdued performance as the Nighthawk.  All are terrific.

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Lights Out

  • Title: Sunshine
  • IMDb: link

“Our sun is dying.  Mankind faces extinction.  Seven years ago the Icarus project sent a mission to restart the sun but that mission was lost before it reached the star.  Sixteen months ago, I, Robert Capa, and a crew of seven left Earth frozen in a solar winter.  Our payload, a stellar bomb with a mass equalivant to Manhattan Island; our purpose, to create a star within a star.”

sunshine-poster

50 years into the future our sun is dying.  One mission to restart the star has already failed; now the fate of the world and the entire human race rests in the hands of the crew of the Icarus II who will attempt a desperate mission to try and re-ignite the sun using all of the world’s remaining nuclear weapons. It’s an interesting set-up as we begin with the crew already 50,000,000 miles away from Earth when the discovery of the first Icarus spacecraft and a small miscalculation put the lives of the crew, and the entire population of Earth, in jeopardy.

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