Movie Reviews

Football for Felons

  • Title: Gridiron Gang
  • IMDb: link

gridiron-gang-posterCamp Kilpatrick is a juvenile detention facility in sunny California, but there’s little sunny on the inside.  The facility is losing the battle against gangs.  Those sent here are overwhelmingly likely, after their release, to end up either dead on the street or spending their lives in prison.

Sean Porter (The Rock) and Malcolm Moore (Xzibit) are two counselors fighting to find a way to save more of these kids.  Porter believes creating a football program could make a difference.  As you can imagine such a program isn’t popular with his bosses (Leon Rippy, Kevin Dunn) or with the local high school coaches who are the only avaiable competition, but Porter is determined and the fighting Mustangs are born.

Those chosen for the team include gangbanger and killer Willie Weathers (Jade Yorker) whose cousin (Michael J. Pagan) was killed by a rival gang, white trash Kenny Bates (Trever O’Brien), super-sized lifetime screw-up Junior Palaita (Setu Taase), and mouthy thief Bug Wendal (Brandon Smith).

One of the strengths of the film is despite giving these kids the chance to shine and look good it never forgets that they are criminals.  The slate isn’t immediately wiped clean, but this is a first step to a better life.

The football moments of the film are well staged and shot, looking a little too perfect for high school games at times, but that’s just the nitpicker in me.  As impressive as those scenes are the real moments of the film are the quiet ones where these characters actually grow and change over the course of the film.  A movie with The Rock that includes character development?  Who would of thought!

There are a few subplots sprinkled through the film; some work better than others.  There’s Willie’s girlfriend (Jurnee Smollett) who loves him but hates his violent side and whose father (Dan Martin) wants her to stay away from gangbangers.  There’s Kenny’s relationship with his mother (Mary Mara) who has given up on him.  There’s the poor health of Porter’s mother (L. Scott Campbell).  And there’s the cheerleader program of a girls juvenlie facility (which is just too Hollywood “cute” for me).  None of these subplots are strong enough to carry the film, but the add a little flavor to the different characters and, perhaps most importantly, don’t drag the film down.

A cautionary note for parents.  Despite the film’s marketing as a feel good family friendly film, there are some elements including gang violence that would be inappropriate for younger children.  The film deserves its PG-13 rating.

There’s plenty to see here and not only enjoy but discuss with teenagers.  The film takes a serious look at the damage and effect that gangs have on our youth.  Wrapped up in a cute football package, the film is surprisingly well informed and informative, and so we get more than we expected.

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Looking for Kitty

  • Title: Looking for Kitty
  • IMDb: link

After his wife leaves him without explanation, a high school baseball coach from upstate New York makes his way into the city.

Looking for KittyUnable to find her on his own Abe Fiannico (David Krumhotlz) hires private detective Jack Stanton (Edward Burns).  Together the two comb the city for Abe’s wife Kitty (Avi Meyers).  The only clue the pair have is a newspaper photograph of Kitty with rock star Ron Stewart (Max Baker).

As the two search we learn Jack is also suffering from the loss of his own wife; unable to do anything about his own situation, and despite his gruff stand-offish nature, Jack begins to think of Abe as a friend and becomes emotionally involved with the case.

Looking For Kitty is what you want a small independent film to be.  It’s well written with a small but effective cast.  Krumholtz and Burns carry 85% of the film, but there are a couple of nice supporting performances to mention.

Connie Britton works well in the small role as Jack’s new mysterious neighbor.  The awkwardness of the two around each other comes off as so realistic you almost forget you are watching a film.

And let us not forget the two comedic flashes of the film.  Kevin Kash finds just the right balance of neediness and humor in the role of Jack’s super, and Chris Parnell as the greasy, self-important, rock manager who insists everyone call him “Cougar,” despite the fact he is as un-cat-like as any man ever born.

There are some flaws here.  The two stories never completely merge and the epilogue of the film seems a little redundant.  There also Rachel Dratch as a obnoxious boozehound, who seems very close to a crazy drunk person you would meet in a real hotel bar, but her recurring role in the film never amounts to much and started to grate on my nerves.

For fans of Burns, the director or actor, I think you will enjoy yourselves.  It’s not a great film, but it is a very good one.  It won’t wow you, but if you sit back and relax you’ll find quite an enjoyable little film.  Even with the problems I have with the film it’s an easy one to recommend.  Looking for Kitty is currently showing in select cities; check you local listings to see if it’s playing near you.

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Wilting Flower

  • Title: The Black Dahlia
  • IMDb: link

black-dahlia-posterTwo cops, Bucky Bleichert (Josh Hartnett) and Lee Blanchard (Aaron Eckhart), both former boxers, find themselves thrown together, first in the ring, and later on the street trying to solve the mysterious death of a young women who wanted nothing more than to be a Hollywood star.  The film centers around the relationship of the two cops and Lee’s girl, Kay (Scarlett Johansson).

One of the films plot threads involves the death of Elizabeth Short (Mira Kirshner) who the papers tab “The Black Dahlia.”  But that’s only one of several mysteries.  There’s the spoiled rich girl with secrets (Hilary Swank) and her dysfunctional family, the hidden reason behind Lee’s obsession with the case, a recent parolee (Richard Brake) who has it in for Lee and frightens Kay to death, the case of a child rapist and killer, and a dirty movie staring young Miss Short and another woman (Jemima Rooper).

There are also subplots including Bleichert’s throwing a boxing match for his adle-minded father (James Otis), office politics in the police station, and the love triangle between the three leads.

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No Sparks

  • Title: The Last Kiss
  • IMDb: link

the-last-kiss-posterWe get the likable Zach Braff in an unlikable role.  We get the writer of Crash and Million Dollar Baby doing a by-the-numbers romantic dramedy.  And we get the director of The Last Samurai to put it all together?  These are all talented people, but I just have to wonder how they all got involved in such an unlikely run-of-the-mill Hollywood project.

Michael (Zach Braff) is about to turn 30.  He is in love with his fiance Jenna (Jacinda Barrett), who is carrying his child, but he just isn’t happy.  Call it cold feet or doubts, but Michael sees his life mapped out, and has he says “there’s no more surprises.”

At a friend’s wedding, Michael meets Kim (Rachel Bilson) who, for reasons that are never explained or explored, is immediately taken with Michael and starts to come on to him, in the way that beautiful women do to average guys only in films, despite the fact he explains he is involved with another woman.  This new temptation for Michael may be his last surprise, or his last chance to break-out and seize passion.  Will he be tempted, and if so what consequences will befall such a choice?

I don’t need to tell you how the film ends, or which woman Michael chooses.  Unless you’ve never seen a by-the-book Hollywood romantic comedy you already know.

One of the problems however is when we are introduced to Michael and Jenna we see love, but no passion, no spark.  They could be best friends perhaps, or even brother and sister, by why are they getting married?  Whether it’s just on-screen chemistry or poor writing, Braff and Bilson work much better than Braff does with the woman his character supposedly loves.

There are other subplots involving Michael’s friends, and Jenna’s parents (Blythe Danner, Tom Wilkinson), who all have their own emotional problems.  There’s Chris (Casey Affleck) who is involved in a loveless destructive marriage only for the sake of his small son.  There’s Kenny (Eric Christian Olsen) who loves women but not relationships, and finally a poor friend (Micahel Weston) who’s so obsessed with a woman that no longer wants him he spends the entire film moping.

None of these stories are very interesting, by themselves or together.  Braff’s first big role since Garden State would inevitably get comparisions, and this one just doesn’t measure up.  Where Braff’s film had a unique voice and style and a very delicate relationship, this just seems to be regurgitated Hollywood romantic slop.

From my comments so far you may think I hated the film.  Not true.  Despite the fact that the film never comes together there are several small pieces and performances that work well, just not quite enough to carry the film.  Braff knows just the right notes to hit with this character and Danner and Wilkinson each give a nice nod in small but important supporting performances.  The real thrill of the movie is Rachel Bilson who steals every moment of the film in which she appears; too bad her part wasn’t larger.

Despite some nice performances and some enjoyable moments, The Last Kiss is a trainwreck.  I can’t quite bring myself to recommend it but if you’re gotten nothing else to do on a lazy weekend then I guess you could spend your time in worse pursuits.  But if you want to see a much better love story with some of the same actors I’d suggest picking up Garden State on DVD (read that review here).

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It’s a Bird, It’s a Plane, It’s Murder!?

  • Title: Hollywoodland
  • IMDb: link

Hollywoodland

Hollywoodland isn’t quite what you’d expect.  Much more an art house character study than a Hollywood thriller, it provides some genuinely funny and dramatic moments.  Although Hollywood does raise its ugly head in places, for the the most part it’s a well acted and well financed small film that finds most of the right touches to provide an intriguing look at the life, and death, of the man who many saw only as Superman.

George Reeves (Ben Affleck) is dead, and private investigator Louis Simo (Adrien Brody) wants to know why.  Sure he’s in it for the money and fame, but the more he becomes entangled in the web of lies and mysterious secrets, the more he needs to know the truth.  Was it a suicide like the local police want everyone to think?  Or was it murder?

The film follows two lives over the course of its two-hour running time.  The first is the life and career of George Reeves.  The second is the life of Simo which, in many ways, mirrors Reeves own in how it falls apart over the length of the film.

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