Television Reviews

The Umbrella Academy – Öga for Öga

  • Title: The Umbrella Academy – Öga for Öga
  • wiki: link

The Umbrella Academy - Öga for Öga television review

Despite his reservations, Five (Aidan Gallagher) kills the Temps Commission Board of Directors allowing the Handler (Kate Walsh) to seize power. The bloody sequence is one of the episode’s highlights as the shortest member of the family paints the walls red. The Handler makes good on her half of the agreement as well, giving Five a 90-minute window to return his family back to their proper time and avoid the apocalypse. However, locating his family and getting them to the alley in time proves to be far too big a problem to solve as Vanya (Ellen Page) refuses to leave Sissy (Marin Ireland) and finds herself captured by local police, Allison (Emmy Raver-Lampman) is attacked by the Swedes, and Diego (David Castañeda) is kidnapped by Lila (Ritu Arya) and taken to the Temps Commission. So much for going home.

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Charlie’s Angels – Angels at Sea

  • Title: Charlie’s Angels – Angels at Sea
  • wiki: link

Charlie's Angels - Angels at Sea television review

Throwback Thursday takes us back to the tale of three beautiful former police officers turned private detectives working for a faceless boss known as Charlie. The Angels take to the high seas as passengers aboard a cruise ship that has had several fatalities over the past few months. Before even leaving the offices, the Angels are warned not to board the ship when a life-size dummy is nailed to the office door. More warnings come aboard the ship in notes left for each of them warning of dangers to come. Despite the warnings, and the killer knowing who they are, Sabrina (Kate Jackson), Jill (Farrah Fawcett), Kelly (Jaclyn Smith), and Bosley (David Doyle) board the ship as passengers without their regular undercover identities.

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Lucifer – It Never Ends Well for the Chicken

  • Title: Lucifer – It Never Ends Well for the Chicken
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Lucifer - It Never Ends Well for the Chicken television review

Once upon a time, the Devil went to New York City. Lucifer (Tom Ellis) tells Trixie (Scarlett Estevez) the story of his ring, not realizing that Maze (Lesley-Ann Brandt) has put her up to it in order to learn more about the secret which Michael foreshadowed earlier in the season. Presented in black-and-white, the story features several of the show’s stars as the Devil takes care to make it more interesting to his audience. The result is a stylish episode that both works as a standalone tale and part of the larger season arc as we see its themes creep into the storytelling from time to time. And, not least importantly, the story introduces us to Lilith, also played by Lesley-Ann Brandt, the mother of all demons.

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Locke & Key – Dissection

  • Title: Locke & Key – Dissection
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Locke & Key - Dissection television review

In one of the most tense episodes of the show’s First Season, Sam (Thomas Mitchell Barnet) holds the Locke family prisoner in Keyhouse Manor which ends with Dodge (Laysla De Oliveira) having all the keys at her disposal. We also learn what Dodge is after whatever is behind the Black Door and needs the Head Key to discover how to open it. There are some callbacks here from earlier in the season as Kinsey (Emilia Jones) digs up her fear in order to get away from Sam and Tyler (Connor Jessup) discovers the guilt he’s been carrying over his father’s death is misplaced. Although Sam dies in the episode, his use of the Ghost Key does offer the opportunity for the character to return as a ghost.

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Danger Man – The Dead Man Walks

  • Title: Danger Man – The Dead Man Walks
  • IMDb: link

Danger Man - The Dead Man Walks television review

Throwback Thursday takes us back into the Cold War spycraft of Danger Man. John Drake (Patrick McGoohan) is sent to India to determine if one scientist from a group of five who discovered a virulent bacteria strain, all believed to be dead, may be alive and working on weaponizing the virus for profit. Although Drake has the right idea, it turns out he has the wrong scientist. Calling on the daughter (Marla Landi) of one of the presumably dead men gets him nowhere, but the wife (Julia Arnall) of another of the scientists (Richard Pearson) proves to be far more promising.

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