Television Reviews

Shadowhunters – The Fair Folk

  • Title: Shadowhunters – The Fair Folk
  • wiki: link

Shadowhunters - The Fair Folk TV review

Alec (Matthew Daddario) begins his new role as head of the Institute by setting up a council for the downworlders and inviting representatives of each faction to attend and discuss grievances. His next course of action is to send Jace (Dominic Sherwood) and Clary (Katherine McNamara), and tag-along Simon (Alberto Rosende), to the fairy realm to talk with the Seelie Queen (Lola Flanery) about the recent murders of Shadowhunters by one of her people. The Seelies’ reputation for machinations and games proves to be true as a simple game forces a wedge between Simon and Clary by exposing Clary and Jace’s feelings for each other. While the main goal is nothing more than creating chaos among the three, it’s obvious that the Seelie Queen has big plans for Simon which don’t involve the vampire having a Shadowhunter girlfriend.

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Preacher – On the Road

  • Title: Preacher – On the Road
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Preacher - On the Road television review

After a First Season which was mostly a prequel to the comic book series of the same name by Garth Ennis and Steve Dillon, Preacher returns with Jesse Custer (Dominic Cooper), Tulip (Ruth Negga), and Cassidy (Joseph Gilgun) hitting the road in search of the missing God. More in-tune with the nihilistic 90s comic series which spawned it, which is both good and potentially bad for the series going forward, the season premiere begins the long road trip for our unlikely threesome while also introduces a new threat in the Saint of Killers (Graham McTavish) who hunts down the preacher and is willing to kill anyone who gets in his way.

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Danger Man – View from the Villa

  • Title: Danger Man – View from the Villa
  • wiki: link

Danger Man - View from the Villa TV review

Our Throwback Tuesday post takes us back to the good old days of black-and-white Cold War spycraft. Secret agent John Drake (Patrick McGoohan) was introduced to television audiences for the first time in “View from the Villa,” in which our protagonist investigates the murder of a banker in Rome who, prior to his death, embezzled $5 million in gold bullion (which is still missing). As we’ll see throughout the series run, Drake differs from the most notable spy of the time in several key aspects. Unlike James Bond, Drake doesn’t carry a gun, doesn’t woo the ladies, has no use for special gadgets, and most of the time will make through a mission without the need to kill.

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Dark Matter – All the Time in the World

  • Title: Dark Matter – All the Time in the World
  • wiki: link

Dark Matter - All the Time in the World TV review

Owing more than a little inspiration from Groundhog Day, the first-half of “All the Time in the World” is perfect. Trapped in a time-loop forcing him to relive the same day over and over again, a frustrated Three (Anthony Lemke) struggles to convince the crew of the Raza what is happening and find a way to break the loop. There are several smart choice here, including starting with Three already stuck in the loop after several days and the use of the “Butterfly Effect” to explain the differences caused by his choices every time through the loop. Then there’s the incredulity of his crewmates and the various ways he attempts, and fails, to convince them of the truth (including learning French). It’s the best use of the concept I’ve seen on television since Star Trek: The Next Generation‘s “Cause and Effect.”

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GLOW – Pilot

  • Title: GLOW – Pilot
  • IMDb: link

GLOW - Pilot television review

Well, that was… underwhelming. There’s a moment about 30-minutes into the first episode of GLOW where it almost sells me on its premise, but that’s quite a long wait for an episode that’s only 37-minutes long (counting opening and closing credits). Based loosely off the 1980s syndicated women’s wrestling league of the same name, GLOW introduces us to bad actor Ruth Wilder (Alison Brie) struggling to find work of any kind in Los Angeles. After accosting a talent promoter in a woman’s restroom, Ruth is given the opportunity to try out for a new concept put together by Sam Sylvia (Marc Maron) who hopes to take a group of semi-athletic women, untalented actors, and those apparently with nothing better to do, and turn them into a brand.

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