Superman #18

/ / Comics

Superman #18 comic reviewWhat’s so interesting to me about Superman #18 isn’t how it fundamentally changes the character going forward in a major way but how well writer Brian Michael Bendis presents the idea as a natural evolution for Superman. While the issue jumps around a bit here and there, including nice moments of Clark Kent’s separate conversations with Jimmy Olsen and Perry White, the main focus in a press conference Superman calls in front of The Daily Planet revealing his dual identity to the world. That isn’t to say Clark Kent is going away, he’s remaining at The Daily Planet, it’s just now his co-workers (and the entire world) know that he’s also Superman.

A staple of the super-hero genre since it’s inception, the alter-ego has been used to allow heroes to lead something of a normal life while not in tights and to protect their loved ones who might become targets from their enemies. Let’s face it, Lois Lane is already getting into life-threatening situations and the realization that she’s married to Superman should actually make her safer. As for a normal life, that’s the interesting twist which Bendis delivers here centering on the character’s internal moral compass and the first word in his slogan “Truth, Justice, and the American Way.”

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Parasite

/ / Movie Reviews
  • Title: Parasite
  • IMDb: link

Parasite movie reviewA family of con artists living together a cramped semi-basement apartment set their sights on a wealthy and gullible family in writer/director Bong Joon Ho‘s Parasite. Ki-woo (Woo-sik Choi) is the first through the door as a tutor for the teenage daughter Da-hye (Ji-so Jung). Next comes his sister Ki-jeong (So-dam Park), as an art teacher and art therapist for the couple’s son (Hyun-jun Jung). Together the pair are able to replace the family’s driver with their father Ki-taek (Kang-ho Song) and the housekeeper (Jeong-eun Lee) with their mother (Hye-jin Jang) all while hiding the familial relationship behind the Parks’ (Sun-kyun Lee and Yeo-jeong Jo) new employees.

The insidious nature of the clan and their slow takeover of the household is fascinating to watch. What’s interesting, despite their lies and deceptions, each proves fairly good at their jobs. I won’t get into the film’s dark turn or reveal what happens in the film’s second-half other than to say the house of cards is threatened by a discovery deep in the heart of the Parks’ home in the dead of night leading to a climactic sequence of events playing out in the middle of a family celebration.

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Bombshell

/ / Movie Reviews
  • Title: Bombshell
  • IMDb: link

Bombshell movie review Bombshell offers a matter-of-fact, but ultimately not all that illuminating, look at the sexual harassment at FOX News under Roger Ailes (John Lithgow). The film primarily focuses on three woman (Charlize Theron, Nicole Kidman, and Margot Robbie), only one of whom we see Ailes abuse his power to manipulate and harass (Robbie, in the film’s best, and most skin-crawling and heartbreaking, scene). Undercutting the film’s moral stance more than a little is the fact that the focus of the lawsuit that kicked-off the media storm that eventually led to Ailes departure was less about Gretchen Carlson (Kidman) being harassed and more about seeking revenge for her dismissal from the network due to creative differences.

While Theron gets far more screentime, Robbie steals the film as the naive Kayla Pospisil just starting out in the business who gets a harsh reality check at how things are done. Kate McKinnon has an intriguing role as her friend/lover whose balance of being a lesbian Democrat working at Fox News is actually far more interesting material than most of what is explored over the course of the film surrounding Ailes and the lawsuit. Lithgow is properly slimy as seedy Ailes who is incapable of admitting he’s done anything wrong.

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The Farewell

/ / Home Video
  • Title: The Farewell
  • IMDb: link

The Farewell movie reviewBased on a true story, writer/director Lulu Wang‘s film showcases a major cultural difference between China and America in dealing with life-threatening illness. When the oldest member of the family (Shuzhen Zhao) is diagnosed with cancer in China, the family chooses not to reveal her condition. Instead, the family orchestrates a wedding as an excuse to bring the full family back to China. However, the gathering’s true purpose is to say farewell.

There’s a philosophical question at the base of the film that Wang refuses to loose herself in. While showcasing a very different view of medicine and death (even the doctors in China help the family to hide the old woman’s condition), Wang doesn’t attempt to argue one method is better than the other. Instead, the movie focuses on how Nai Nai’s (Zhao) condition, and the decision to hide her prognosis from her, effects the entire family – primarily her granddaughter Billi (Awkwafina) from America who isn’t brought over with her parents because her family fears her ability to keep the secret (but who comes anyway to spend time with the grandmother she loves).

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