Mother’s Day

/ / Movie Reviews
  • Title: Mother’s Day
  • wiki: link

Mother's DayFollowing the pattern of his last two films (Valentine’s Day and New Year’s Eve) director Garry Marshall‘s Mother’s Day is a cookie-cutter ensemble dramaedy set around a particular holiday. Filled with paper-thin characters who all can be described by a single characteristic who are marginally connected through themes of mothers and their daughters, Mother’s Day is a lazy film filled with sitcom humor and blase drama that asks the bare minimum of its cast. If it were a meal, Mother’s Day would be a lukewarm McDonald’s extra-value meal that no one bothered to put under the heat lamp. If it were a color it would be beige.

The stories include divorced mother (Jennifer Aniston) of two sons (Caleb Brown and Brandon Spink) struggling with the news that her ex-husband (Timothy Olyphant) has married a much younger woman (Shay Mitchell), grown sisters (Kate Hudson and Sarah Chalke) hiding their romantic relationships from their conventional parents (Margo Martindale and Robert Pine), a widower (Jason Sudeikis) and his two daughters (Ella Anderson and Jessi Case) struggling to move on a year after his wife’s death, a career-minded Home Shopping Network star (Julia Roberts) with what passes for a dark secret in this movie, and a waitress (Britt Robertson) unable to commit to her boyfriend (Jack Whitehall).

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Arrow – Canary Cry

/ / Television Reviews
  • Title: Arrow – Canary Cry
  • wiki: link

Arrow - Canary Cry

As the members of the team struggle to deal with the death of Laurel (Katie Cassidy) an impulsive young woman (Madison McLaughlin) assumes the identity of Black Canary and begins targeting those she blames for the death of her parents. Whether or not she stays dead, or is eventually resurrected like so many of the characters in the series so far, “Canary Cry” certainly attempts to sell the idea that Laurel isn’t coming back (even going so far as to publicly out her as the real Black Canary at her funeral). Cassidy does appear in the episode as we get flashbacks of Oliver (Stephen Amell) and Laurel following Tommy’s death rather than scenes from the island this week.

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Astro City #34

/ / Comics

Astro City #34

Steeljack‘s three-issue arc comes to a close as the former super-villain turned private detective and one-time squeeze Cutlass come up against the arc’s true villain: a greedy collector grabbing and using super-villain tech for his own amusement (and to decorate his garish restaurant). Astro City #34 is the weakest issue of the arc but that doesn’t mean there isn’t still plenty for fans to enjoy including a nice (if a bit hokey) epilogue as dejected Steeljacket is surprised by the support of his friends which helps the man of steel put the entire sordid mess behind him.

[DC, $3.99]

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