Masks #2

masks-2-coverWith New York City now a police state controlled by corrupt new government of gangsters known as the Justice Party, The ShadowThe Green Hornet and Kato, and The Spider find themselves overwhelmed by the enhanced technology the criminals have gotten their hands on to keep control of their city.

Issue #2 also introduces the Green Lama and Black Bat who begin to fight back against the oppressive new government as well. The story of the young artist on the wrong side of the government’s new oppressive regime continues as well foreshadowing, I’m guessing, the eventual birth of a new Zorro.

I thought the first comic worked in trying to throw all these characters together in an unusual situation that required them to work together. Masks #2 isn’t quite as good, forced to rely more on fleshing out a story than just introducing the concept. There’s far more talking about doing something than actual action, and some “necessary” awkward introductions among the heroes take up way too many panels. Hit-and-Miss.

[Dynamite Entertainment, $3.99]

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Doctor Who – The Snowmen

  • Title: Doctor Who – The Snowmen
  • IMDB: link

“Carnerverous snow meets Victorian values, and something terrible is born.”

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Alone since the loss of Amy (Karen Gillan) and Rory (Arthur Darvill), The Doctor‘s (Matt Smith) travels have led him to 1892 England into semi-retirement… at least until he meets an unusual young barmaid/governess named Clara Oswin Oswald (Jenna-Louise Coleman) and a miser (Richard E. Grant) mysteriously tied to killer snowmen which feed on the thoughts and fears of human beings.

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Tarantino Unchained

  • Title: Django Unchained
  • IMDB: link

django-unchained-posterWith Inglourious Basterds writer/director Quentin Tarantino strode a fine line between between drama and revenge fantasy in his depiction of a select group of Jewish soldiers taking on the Nazis during WWII.

With his latest, Tarantino returns to the well of his revenge fantasy, the theme he’s been stuck on for nearly an entire decade (since 2003’s Kill Bill Vol. 1), to push the envelope even farther with a blaxploitation western that leaves good taste in the dust. If there’s ever a film that so thoroughly argues for a director to be shackled to studio pressure it’s the inarguable trainwreck that is Django Unchained.

Jamie Foxx stars as Django, a slave freed by a bounty hunter (Christoph Waltz) in need of his help to hunt down and kill the Speck brothers (James RemarJames Russo). After Django shows promise, Shultz (Waltz) agrees to train the newly freed slave in the art of bounty hunting and help retrieve Django’s wife (Kerry Washington) from a ruthless plantation owner (Leonardo DiCaprio).

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Les Misérables

  • Title: Les Misérables
  • IMDB: link

les-miserables-poster

As someone who has never read Victor Hugo’s novel nor seen the musical adaptation on stage I was hardly going in to Les Misérables completely blind, but I was certainly coming from a different perspective from that of people who know either version of the source material by heart.

Clocking in with a running time of more than two-and-a-half hours, Les Misérables refuses to skimp in big set pieces (such as the opening sequence set in the Bagne of Toulon), large themes (faith, freedom, liberty, and morality), or filling out its roster with several big name stars.

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Scarlet Spider #12.1

scarlet-spider-12-1-coverI put Marvel’s .1 issues in the same unnecessary column as DC’s Zero issues and foil comic covers. Marvel has no problem releasing multiple comics for a paticular title during the same month (hell, it’s become common practice for Marvel NOW!) and slapping a .1 on the cover (which originally meant a reintroduction to the character) doesn’t really mean the same thing anymore because of the sheer number of these the House of Ideas has pushed out.

That said, Scarlet Spider #12.1 is an interesting read. I’d call it a one-shot, featuring Houston’s hero taking on white slavery, but the fact is the comic lays the groundwork for huge changes for our killer turned hero (which, when you think about it, is kind of a dick move for a .1 issue to do).

While tracking a killer whose mark reminds Kaine of his past, the Scarlet Spider takes on the gangs of Houston and The Hand who have shown up to make their presence known in the port city. And, if that news isn’t bad enough for our hero, the Kingpin appears to have major plans for Houston as well. Worth a look.

[Marvel, $2.99]

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