My Life in Ruins (after watching this movie)

  • Title: My Life in Ruins
  • IMDB: link

Aside from the beautiful scenery, and a few nice moments from Richard Drefus (who’s really slumming it here), there’s very little to separate My Life in Ruins from any number of braindead romatic comedies. Here’s one of those films where a character notices the love of her life under her nose, finds meaning in her demeaning job, and everything ends happily ever after for everyone (except the audience).

When the film isn’t throwing out contrived plot points like candy, and simply allows the actors to give some actual weight to their characters, there are slight glimmers at what this film could have been. Sadly, these moments are few and far between.

Nia Vardolas stars as Georgia, a disgruntled travel guide. She hates her job, she hates the people she works with, she hates her rundown tour bus, and she hates her tourists who are a collection of cliches you are much more likely to find in a movie like this than on an actual tour bus.

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Up

  • Title: Up
  • IMDb: link

up-poster

Pixar’s latest, Up, tells the story of a grump old widower (Ed Asner) befriended by a young kid (Jordan Nagai) who sets off on a wild adventure.

What could easily have been a paint-by-numbers tale is given the Pixar treatment. This isn’t Gran Torino; it’s so much more. In fact it’s arguably the most grown-up story the company has done, and quite possibly the best flick Pixar has ever made.

The film begins by giving us a brief history of Carl Fredricksen (Asner). Rather than simply giving us a grumpy old man the plot takes the time to let us get to know him and see how he became the person he is as the main story begins. This may seem like a small thing, and some may find it too much backstory, but it’s just one example of how Pixar goes the extra mile in terms of character, animation, and story. Could the movie still work without these scenes? Yes. Would it be as good a movie? No.

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The Brothers Bloom

  • Title: The Brothers Bloom
  • IMDB: link

the-brothers-bloom-posterI really wanted to like The Brothers Bloom, and for 90 minutes I did. The film delivers laughs, genuinely interesting characters, a quirkiness not unlike that of Wes Anderson, and a satisfactory conclusion. Then the film continues for another 25 minutes moving far from the lightness and joyfulness of its earlier moments into a much more average action flick packed with questionable character choices, plot issues, and a far less satisfying ending.

Mark Ruffalo and Adrien Brody star as brothers who begin the life of the con as children. Stephen (Ruffalo) is the brains behind the operation writing roles for his brother, the shy Bloom (Brody). Sadly, it is only through these roles where Bloom gets the confidence to interact with other people, and truly feel alive. Though appreciative of his brother, who wants the best for him, Bloom’s resentment finally gets the better of him.

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Glee

  • Title: Glee – Pilot
  • tv.com: link

With the popularity of High School Musical and American Idol I’m more than a little surprised it’s taken this long for one of the major networks to trot out something like Glee. The show centers around a young high school Spanish teacher (Matthew Morrison) who attempts to relive his own glory days by reinventing the Glee Club into something cool for the current generation.

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Dance Flick

  • Title: Dance Flick
  • IMDB: link

dance-flick-posterWhat are you doing reading a review for this movie? Come to think of it, what was I doing going to a screening of it? You know exactly what this movie is, and you knew before you ever started reading this review whether it’s for you or not.

There are no surprises with Dance Flick. What you see is what you get, most of it bad. The new film from the Wayan Bros. is yet another entry into the sub-genre of cheap parody films which has produced one or two fun flicks, such as the first Scary Movie, but also filled up the DVD bargain bin at your local Best Buy and the late night B-movie channels on cable.

Dance Flick isn’t one of the better entries into the genre, but at least it’s not the worst. I guess that’s something, right? It is however perplexing. Don’t get me wrong, the entire dance film genre deserves to get poked with a stick, but the idea of centering most of the plot around an eight-year-old film isn’t exactly timely.

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