Terminator Salvation
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Let’s get one thing straight, this ain’t your daddy’s Star Trek. J.J. Abrams and his team have successfully relaunched a franchise with 2009’s Star Trek. What we’re given us a fun summer popcorn flick with characters that resemble those from the classic TV-show. However, the film isn’t perfect and makes a few too many changes to Trek continuity for my tastes (not all of which can be argued away by the plot’s time travel plot). Is it a good Star Trek film? Yes, it’s by far the best one the franchise has put out since Star Trek: First Contact. Is it a great Star Trek film? Well…
Let’s begin with the contraption by which the entire film hinges. Years in the future Ambassador Spock (Leonard Nimoy) is involved with an attempt to save Romulus from disaster. The result sends both Spock and the Romulan ship back in time to create havoc and alter the time stream. This basic premise will be used to explain how the film deviates from basic Trek chronology and how Kirk will rise to become Captain of the U.S.S. Enterprise.
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One of the issues you often run into with films made by first time directors is a film that never quite comes together. Lymelife, written and directed by Derick and Steven Martini, does quite a bit right but also falls into a few traps that more seasoned directors could have avoided. It’s not a bad film, however it’s pretty uneven. That’s not to say I’m calling this one a pass. There’s an awful lot happening here, and although some might have grown tired of the sub-genre of quirky little suburban independent films, it’s still worth a look.
The film centers around two dysfunctional families. The Bartlett’s are doing well, at least from the outside looking in. Mickey (Alec Baldwin), the family’s breadwinner, is the envy of everyone else except perhaps his wife (Jill Hennessy) who seems to breathe a passive-aggressive hatred that it turns out is more than warranted.
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State of Play is an ambitious project which, at times, gets away from director Kevin Macdonald. The script was worked on by the men who gave us Michael Clayton, Lions for Lambs, and Flightplan. And, for better or worse, you can see each writer’s stamp on the film, meaning at times it becomes both too preachy and too focused on “getting us” with unexpected twists. To be fair, many aspects of the film work well and it’s an enjoyable, and even somewhat smart, thriller which has something to say about the state of both journalism and politics.
Cal McAffey (Russell Crowe) is a reporter’s reporter, that dying breed your more likely to find in a movie like this than an actual newspaper office, at least these days. He’s a throwback, the last of the old guard focused on finding the truth of a story and bringing it into light. His stark worldview is encroached on by a sassy young blogger (Rachel McAdams) who can put out several tasty tidbits a day, an editor (Helen Mirren) pressured to make the paper more commercially viable, and a breaking scandal involving the death of an assistant to a golden boy politician (Ben Affleck) who just happens to be Cal’s former college roommate.
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If you’ve seen the trailer and commercials for Adventureland you may very well walk in expecting something like Superbad. Although the film contains some similar humor there’s so much more worth savoring including great moments, both large and small, and the type of love story women will enjoy and guys won’t need to be shackled to the seat to watch. After a single viewing I’m not prepared to call Adventureland a great film, but it is a damn good movie with a little something for everyone.
Jesse Eisengerg (think a less twitchy Michael Cera) stars as James Brennan who is forced to take a job at a local amusement park when his summer plans fall through.
As you would expect the park is filled with characters including his cock-punching best friend from kindergarten (Matt Bush), the sardonic Joel (Martin Starr), the cool older dude (Ryan Reynolds), the beautiful aloof dancer (Margarita Levieva), the wacky couple who run the joint (Bill Hader and Kristen Wiig), and, most importantly, the enchanting yet troubled Em (Kristen Stewart).
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