This Week in Foreign Film

  • Title: Ballet Shoes
  • IMDB: link

Emma Watson, Yasmin Paige, and Lucy Boynton star as orphans in London during the 1930’s who are adopted by a mostly absent eccentric explorer (Richard Griffiths) and find themselves raised in the theater where they learn to sing and dance.  Emilia Fox, Victoria Wood, Marc Warren, and Gemma Jones also star.  The film, adapted from the Noel Streatfeild novel and originally shot for BBC, is getting a small American theatrical run in select cities (check here to see if your city is on the list) beginning on Tuesday.  Check out the official site.

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The House Bunny

  • Title: The House Bunny
  • IMDB: link

“But I’m 27.”
“That’s 59 in Bunny years.”

The day after her 27th birthday Shelly (Anna Faris) is thrown out of her comfy lifestyle in the Playboy Mansion.  Her initial forays into the real world aren’t too successful, and an unlikely misunderstanding with a cop (Dan Patrick) even lands her in jail for a night.

Her luck changes with the discovery of an entire street of mini-Playboy Mansions and a new calling as a House Mother for the lamest sorority on campus, the one full of the kind of misfits you only find in movies like this and Sydney White (read the DVD review) and is constantly facing probation, expulsion, or both.  From here you can guess what happens next.

Shelly uses her gifts to turn all the other girls (Emma Stone, Kat Dennings, Katherine McPhee, Dana Goodman, Rumer Willis, Kiely Williams) into hotties, fights off the mean sorority girls across the street (Sarah Wright, Rachel Specter), learns an important lesson about herself, and saves the Zeta’s house in a last-minute impassioned plea to the Dean.

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Rock Me Sexy Jesus

  • Title: Hamlet 2
  • IMDB: link

“It was stupid, but it was also theater.”

A rather strange high school teacher puts together a musical sequel to Shaekespeare’s play which involves sex, profanity, a time machine, and Jesus Christ.  Say what you want about the film, and there are many valid criticisms you can make, but this original little gem, even when it goes off-course, is rather enjoyable.

Dana Marschz (Steve Coogan) is a former actor turned high school drama teacher in Tuscon, Arizona (which the movie reminds repeatedly is the worst place on Earth).

Dana’s simple life is complicated when his class of two (Phoebe Strole, Skylar Astin) is increased by other art and computer classes being shutdown, followed by the news that the Drama department is the next to get the axe, leaving Dana unemployed.

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A Convict’s Wet Dream

  • Death Race
  • IMDb: link

“So do what you do best.  Drive.”

Hitting the theaters in the ass-end of summer (not good for an action flick) comes Death Race.  I’m not sure what Joan Allen is doing here, or even Jason Statham, but there’s little that justifies the remake of the Harvey Corman film or yet another tale about convicts killing each other for the camera.  But at least it’s better than The Condemned (read that review).

The economy of the United States has collapsed.  In this near future (roughly four years from today) prisons are run by cooperations, for a profit.  Though what type of cooperation would go for this is never explained (gee, I wonder why Budweiser wouldn’t want to be marketed in the film?).

Unemployment is out an all-time high and the most watched program on the air is a pay-per-view Internet program which involves prisoners fighting for their lives.  Hmm… haven’t we seen something like this before, once, twice, three times, or more?

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The Authority?

  • Title: The Authority #1
  • Comic Vine: link

“There’s no world left for them to save.”

Given the events of WildStorm’s big summer crossover Number of the Beast the WildStorm universe is left in shambles and The Authority gets yet another reboot.

The group is back, and that’s the good news.  That they’re stuck in the dismal new world which would make even the sunniest person want to slit their wrists, well, you see, that’s the bad.

The Authority failed.  The Carrier is a big dead rock crashed and fused into the middle of London creating what is referred to as Un-London.  All but the most basic technology is lost and Angie has lost her abilities and techware, monsters rove the streets looking for humans to feed on, and Apollo is forced to live at the very top of the atmosphere to stay alive, apart from his teammates who spend their time looking for those unlucky enough to survived and blaming themselves for the world’s misfortune.  And you don’t even want to know what this reality has done to Jack Hawksmoor.

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