Sasha Calle Flaunts Her Style
Sasha Calle Flaunts Her Style Read More »
Sasha Calle Flaunts Her Style Read More »


Living Armor would see an odd choice for a group of adventures who enjoying eating their kills in the dungeon but the walking suits of armor are the creature of the episode as Laios (Damien C. Haas) discovers the armor isn’t animated by magic, as everyone assumes, but by creatures living inside. While the others keep the various armor busy, Laios defeats the leader learning the secret of the creatures and discovering yet another delicacy one can only find in the dungeon. “Living Armor” also fills in a bit of the knight’s backstory.
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The Flash #5 is notable for Jai West, not Wally or Barry, being the primary protagonist of the issue. The issue centers around Jai’s uncertainty and embarrassment for powers he doesn’t fully understand. His father’s obsession with the Stillness doesn’t help matters. However, clarity comes from an unexpected source in science detective Inspector Pilgrim who has some knowledge of Jai’s future, and, in his own words, some stake in its outcome.
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Spinning out of the events of Masters of the Universe: Revelation, the opening episode of Masters of the Universe: Revolution kicks off with a fan-friendly opening battle sequence featuring He-Man (Chris Wood) and several recognizable characters in Subternia fighting to free the souls of fallen friends from Scare Glow (Tony Todd) whose design I still find unfortunately too similar to one of, if not the, most recognizable characters of the franchise. Honestly, there’s not much reason for the likes of Snout Spout, Ram Man, and Buzz Off to be included here other than a bit of fan service for those who collected those figures, but it does deliver a big battle to kick off the new series.
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Masters of the Universe: Revolution – Even for KingsRead More »
Masters of the Universe: Revolution – Even for Kings Read More »

Hanging together by a number of coincidences and chance events, 1985’s Desperately Seeking Susan plays of the rising popularity of Madonna in her first film role as the bohemian drifter Susan and Rosanna Arquette as the bored housewife mistaken for her leading to a farcical thriller concerning some stolen Egyptian earrings neither women realize are worth enough to kill for. Despite Arquette getting the much larger role, much of the marketing featured more on Madonna playing on the musician’s popularity and first on-screen role.
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