Cry Macho

  • Title: Cry Macho
  • IMDb: link

Clint Eastwood, who also directs, stars as an old cowboy sent to find the son (Eduardo Minett) of a rancher (Dwight Yoakam) in Mexico and bring him to the United States. Cry Macho is a slow-paced stalled road trip movie with Mike (Eastwood) and Rafo (Minett) getting stuck in a Mexican town for most of the film while hiding from authorities and the boy’s mother (Fernanda Urrejola) who doesn’t want him to leave Mexico.

Knocking around Hollywood for the better part of 50 years, the script offers some minimal commentary on machismo while the title of the movie comes from Rafo’s prize cock-fighting rooster. The story unfolds as expected with no stand-out scenes or surprises. Of course, Mike keeps a secret from Rafo leading to inevitable conflict in the final act before Cry Macho eventually limps to the finish line. It’s not a bad film, but there’s little of interest other than some nice cinematography of Mexico.

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Scarecrow and Mrs. King – The First Time

  • Title: Scarecrow and Mrs. King – The First Time
  • IMDb: link

Throwback Tuesday takes us to 80s Washington, D.C. and the unusual partnership between a housewife and a spy. “The First Time” introduces us to unconventional spy Lee “Scarecrow” Stetson (Bruce Boxleitner) and suburban mother Amanda King (Kate Jackson) who meet at the train station when Scarecrow hands Amanda a package he’s unable to deliver while being pursued. The pair keep getting thrown together over the course of the episode to recover the package and uncover the identity of the leak within the Agency which is leading to several agents being killed. Part spy story, part odd couple pairing, and part farce, the show’s first episode sets the tone for the series.

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The Eyes of Tammy Faye

  • Title: The Eyes of Tammy Faye
  • IMDb: link

We get the rise and fall of Tammy Faye (Jessica Chastain) and Jim Bakker (Andrew Garfield) in this examination of the televangelist couple. While recreating moments of the pair’s life, there’s no real point or perspective offered to the events. The Eyes of Tammy Faye isn’t a character study. It isn’t commentary of events. Nor is it a satire.

The film is simply a shallow collection of events that never digs beneath the surface to provide anything of much interest. While we see the odd pair begin their their time as televangelists, the movie isn’t concerned with the rise of the PTL Satellite Network nor the good or ills of the The PTL Club, nor really the fall of grace of the Bakker’s which makes up only a small percentage of the film.

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Teenage Mutant Ninja Turtles #124

Christmas comes for the Turtles in the form of a silent issue without narration or dialogue. Playing on recent events, we see various members of the Splinter Clan searching in vain for the missing weasels . The first Christmas without Splinter is also felt by the brothers who still don’t know about the new face hiding in the shadows as Oroku Saki finds Old Hob and the weasels, and lets the Turtles know through and anonymous message that they are safe finally allowing for a low-key Christmas.

Without the need for dialogue, Teenage Mutant Ninja Turtles #124 hits on several of the themes of the current arc offering a melancholy Christmas for all concerned, but one at least where the Turtles know the weasels are safe. Saki continues to help where he can as we wait for the former nemesis to eventually reveal himself. 

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