2.5 Razors

Action Comics #19

/ / Comics

Action Comics #19The much ballyhooed run of creative team of writer Andy Diggle and artist Tony S. Daniel begins and ends here. As you might have heard, Diggle quit the title before his first issue ever hit the stands due to irreconcilable issues with DC Editorial. Daniel will continue the arc doing double duty as both writer and artist.

Action Comics #19 certainly has its moments including a look at what Lex Luthor has in mind for the Man of Steel and a nice moment between Clark and Lois in a Quarac hotel bar that good-naturedly pokes some fun at the most ridiculous disguise in all of comics.

The rest of the comic features Superman battling giant robots (for reasons that don’t make a lot of sense), Lex Luthor keeping his shrink locked up for an accurate diagnosis of him as a megalomanical psychopath, and a weird hallucinatory moment where Superman thinks one of the soldiers piloting the robots is Jimmy Olsen (which, also, makes very little sense). Hit-and-Miss.

[DC, $3.99]

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Ginger & Rosa

/ / Movie Reviews
  • Title: Ginger & Rosa
  • IMDb: link

Ginger & Rosa

Writer/director Sally Potter‘s Ginger & Rosa isn’t a bad film by any means, but it’s certainly more concerned with showcasing the talents of its actors (particularly its young leading lady) than presenting a compelling tale set in 1962 London against the backdrop of nuclear proliferation and the Cuban Missile Crisis.

Elle Fanning stars as Ginger, the smart daughter of an irresponsible father (Alessandro Nivola) and demanding mother (Christina Hendricks). She’s also surrounded by a collection of equally pompous and pretentious role models (Timothy Spall, Oliver Platt, Annette Bening) who feed the girl’s interest in activism and rebellion without taking the slightest interest in what is going on inside Ginger’s impressionable young mind.

The calm in the storm for Ginger comes in the form of her lifelong best friend Rosa (Alice Englert). By far the more extroverted and promiscuous of the pair, Rosa continues to push Ginger into taking chances and having fun.

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Fables #127

/ / Comics

Fables #127With Bigby and Stinky still off on their dimensional road trip, Fables #127 continues the bizarre situation involving Prince Brandish‘s return and his kidnapping and sequestering of Snow White who, under Fable law, is his wife. As Snow’s friends are kept at bay by the intricate magical protections which transfer any harm done to him to his wife, Snow tries futilely to escape.

Although Snow White’s predicament isn’t really humorous, the sheer nature of it allows for some offbeat jokes (including Snow White doing potty humor?). By the issue’s end Bigby, being finally made aware of what has been transpiring in his absence, returns home to save Snow White and put things right.

Sadly, once again Snow White is cast as the victim of the piece at the complete mercy of the man who wishes to bend her to his will. Not only does the spell cause Snow to give herself a nasty gash on her cheek, but Brandish goes so far as to break his wife’s arm to teach the woman her place. Yeesh.

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Justice League of America #2

/ / Comics

Justice League of America #2There’s certainly some improvement here over the atrociously bad first issue. As Green Arrow fights for his life in the medical bay the rest of the team comes together to fight the mysterious threat of the Secret Society of Super-Villains even though, as Steve Trevor points out to Amanda Waller, the team has never worked together, has almost no intel on the threat, and will probably get their asses kicked.

Aside from Waller’s irrational expectations, the second issue of the new Justice League of America has a few other problems as well. The opening shot of the Scarecrow‘s recruitment runs far too long while at the same time being unnecessarily obscure. It’s also unclear why, despite his injuries, why Green Arrow isn’t offered a spot on this team (after risking his life for them).

Issue #2 does have some fun moments, my favorite being the sequence involving Vibe and Hawkman meeting for the first time. Although it’s pretty forced, I also liked the idea of setting up a relationship between Trevor and Catwoman. Hit-and-Miss.

[DC, $2.99]

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The Croods

/ / Movie Reviews
  • Title: The Croods
  • IMDB: link

the-croods-posterIf you follow show business, you’ve probably heard that DreamWorks Animation isn’t doing too hot. Ever since they mercifully let their not-so-jolly green giant retire, they’ve struggled to find any other banner property to prop their studio on. And last year’s Rise of the Guardians was especially disappointing at the box office. To make things worse, Jeffrey Katzenberg’s studio laid off hundreds and had to break off from long-time distributor Paramount Pictures.

All of this culminates with The Croods, which DreamWorks desperately needs to be a hit to avoid slipping further into uncertainty. But The Croods is somewhat of a mixed bag. If the studio was going for a Hail Mary they failed, but it’s still a passable family film that should go down as a safe play.

The Croods is the prehistoric tale of a family of Neanderthals that have survived in a scant desert the only way they know how: by hiding in the dark almost constantly. Eldest child Eep (voiced by Emma Stone) is a teenager trying to escape the protective hold her father (Nicholas Cage! As a stupid caveman!) has held his family under to keep them from being eaten by something.

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