2.5 Razors

Band5slam

  • Title: Bandslam
  • IMDb: link

bandslam-posterBandslam is a cliched, hackneyed, overdone, montage-filled paint-by-numbers tale of teenage angst, love, lessons about life, and triumph.

And yet it’s still better than G.I. Joe: The Rise of Cobra. As unoriginal, and at times truly awful, this film is, it’s also got a little spark which provides moments better than they have any right to be. In no uncertain terms Bandslam is a trainwreck, but it’s a trainwreck with cute young girls, some spirit, and passable music. It’s exactly what you expect a teen musical, made in part by Walden Media, to be.

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Easy Virtue

  • Title: Easy Virtue
  • IMDB: link

easy-virtue-posterWhen you stop and think about it, it’s amazing any movie ever actually gets made. Many films flounder through the maze of casting issues, constant rewrites, shooting problems, and budgetary constraints. A finished film, even an awful one, is something of a miracle. If you don’t believe me check out Terry Gilliam’s Lost in La Macha which chronilces just how far a film can go off course when the gods are against you.

Easy Virtue isn’t a great film. It just didn’t navigate those treacherous waters with enough skill. Despite several pieces which work well, and a definite style, it’s a deeply flawed film. Much, though certainly not all, of its troubles can be laid at the feet of its young stars.

The film stars Jessica Biel as Laritta, a poor American race-car driver who marries young British aristocrat John (Ben Barnes) for love. What follows is something of a farcical Guess Who’s Coming to Dinner (with snobby class warfare replacing racial tension) as John and Laritta travel to England to introduce his family meet his new bride.

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The Brothers Bloom

  • Title: The Brothers Bloom
  • IMDB: link

the-brothers-bloom-posterI really wanted to like The Brothers Bloom, and for 90 minutes I did. The film delivers laughs, genuinely interesting characters, a quirkiness not unlike that of Wes Anderson, and a satisfactory conclusion. Then the film continues for another 25 minutes moving far from the lightness and joyfulness of its earlier moments into a much more average action flick packed with questionable character choices, plot issues, and a far less satisfying ending.

Mark Ruffalo and Adrien Brody star as brothers who begin the life of the con as children. Stephen (Ruffalo) is the brains behind the operation writing roles for his brother, the shy Bloom (Brody). Sadly, it is only through these roles where Bloom gets the confidence to interact with other people, and truly feel alive. Though appreciative of his brother, who wants the best for him, Bloom’s resentment finally gets the better of him.

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The best male cheerleader recruitment film, like, ever

  • Title: Fired Up!
  • IMDB: link

Fired Up!I come neither to praise nor bash Fired Up! Here’s the type of movie, in the right mood, I might be perfectly fine finding at 1:00am on Comedy Central. If you’re a fan of the straight-to-DVD American Pie films (like this one) you should feel right at home.

The basic set-up for this male cheerleader recruitment film involves two high school ladies men (played by 28-year-old Nicholas D’Agosto and 31-year-old Eric Christian Olsen) who skip out on football practice for a chance to join the squad and go to cheer camp with the hopes of scoring with as many cheerleaders as possible.

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Inkheart

  • Title: Inkheart
  • IMDB: link

inkheart-posterHow much do you like fantasy films aimed at kids? That’s really the only question to ask yourself when considering seeing Inkheart. If you enjoyed similar films such as The NeverEnding Story, The Spiderwick Chronicles, and Eragon, you might want to give it a chance. Maybe.

Brendan Fraser stars as a good-hearted but slightly dimwitted hero (hmm, sound familiar?) Mo Folchart. Years ago, accidently, Mo discovered he had the ability to read characters, objects and events out of books. That’s kinda cool, right? But there is a catch – whenever something, or someone, comes out of a book something, or someone, must take its place.

Years have passed with Mo hiding his gift from his daughter (Eliza Bennett) and searching for a copy of a book which holds something precious to them both locked deep inside. Things come to a head when characters from the book finally catch up to the “Silvertongue” with their own demands on how he should use his gift.

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