2.5 Razors

The 355

/ / Movie Reviews
  • Title: The 355
  • IMDb: link

There’s a fun, if not bright, story in The 355 once things get going and the female operatives from various spy agencies around the globe decide to work together. I don’t know that the movie is going to do well enough to earn a sequel, but I would suspect a second film, without the need for such lengthy set-up, would be superior. The main takeaway from The 355 seems to be that a female-led action movie can be just as dumb as any with an all-male cast.

The plot, so to speak, involves a technological super-drive (the kind of device you only find in these types of movies) that can crack anything (planes, financial records, power plants, your Spotify account, etc.). Discovered by accident on a drug raid, an agent (Edgar Ramírez) in Columbia attempts to sell it only to see it fall into the hands of a black market auctioneer who plans to sell it to the highest bidder giving them the power to destabilize the world with the press of a few buttons.

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Cry Macho

/ / Home Video
  • Title: Cry Macho
  • IMDb: link

Clint Eastwood, who also directs, stars as an old cowboy sent to find the son (Eduardo Minett) of a rancher (Dwight Yoakam) in Mexico and bring him to the United States. Cry Macho is a slow-paced stalled road trip movie with Mike (Eastwood) and Rafo (Minett) getting stuck in a Mexican town for most of the film while hiding from authorities and the boy’s mother (Fernanda Urrejola) who doesn’t want him to leave Mexico.

Knocking around Hollywood for the better part of 50 years, the script offers some minimal commentary on machismo while the title of the movie comes from Rafo’s prize cock-fighting rooster. The story unfolds as expected with no stand-out scenes or surprises. Of course, Mike keeps a secret from Rafo leading to inevitable conflict in the final act before Cry Macho eventually limps to the finish line. It’s not a bad film, but there’s little of interest other than some nice cinematography of Mexico.

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The Eyes of Tammy Faye

/ / Home Video
  • Title: The Eyes of Tammy Faye
  • IMDb: link

We get the rise and fall of Tammy Faye (Jessica Chastain) and Jim Bakker (Andrew Garfield) in this examination of the televangelist couple. While recreating moments of the pair’s life, there’s no real point or perspective offered to the events. The Eyes of Tammy Faye isn’t a character study. It isn’t commentary of events. Nor is it a satire.

The film is simply a shallow collection of events that never digs beneath the surface to provide anything of much interest. While we see the odd pair begin their their time as televangelists, the movie isn’t concerned with the rise of the PTL Satellite Network nor the good or ills of the The PTL Club, nor really the fall of grace of the Bakker’s which makes up only a small percentage of the film.

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MacGruber – A Good Day to Die

/ / Television Reviews
  • Title: MacGruber – A Good Day to Die
  • IMDb: link

Originally conceived as a series of sketches for Saturday Night Live, the MacGyver-inspired spoof MacGruber eventually became a feature film in 2010 which was quickly forgotten by all but its most die-hard fans. Now MacGruber is back with a new series on Peacock. Picking up years later, MacGruber (Will Forte) has spent a decade in prison but is released for a suicide mission to exchange for the President’s kidnapped daughter which he’ll eventually get around to after stopping in to see a few familiar faces.

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Agnes

/ / Movie Reviews
  • Title: Agnes
  • IMDb: link

Agnes is an odd film. Actually, it’s two odd films strung together loosely by a single thread, neither of which leaves the audience with any kind of resolution (although one could argue that’s the point of the second storyline). In some ways it’s the most frustrating film of 2021 as so much is wasted on a bi-polar tale that at times seems as lost as the nuns themselves.

The first-half of the film is a delightful exorcism plot of a priest (Ben Hall) who is facing damning charges of inappropriate behavior with children, but also with experience in the act of exorcism, but who doesn’t really believe in the rights or demons, and a neophyte (Jake Horowitz) who has not yet taken his vows, sent to a nunnery where Sister Agnes (Hayley McFarland) has shown signs of possession. We also get a defrocked priest (Chris Browning) turned sleazy celebrity for his work in the field, added to the mix when our overwhelmed priest turns to him for help.

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