The Other Guys
- Title: The Other Guys
- IMDB: link

In case you weren’t aware, Step Brothers is the greatest achievement ever in cinema ever.
Okay, it’s not. But at the rate that I, a film dork, think back to the Comedy Extroardinaire from Will Ferrell and frequent collaborator writer / director Adam McKay, it certainly would seem to own a spot on AFI’s top hundred. Following up solid laughers Anchorman and Talladega Nights, the McKay / Ferrell team has proved maybe the most bankable in Hollywood when it comes to laughs. If you’ve gone the past six years without someone quoting a Ron Burgundy line to you, it’s because you haven’t talked to anyone the past six years.
And, as a fan of the divisive Step Brothers, I, more than most, was totally excited for McKay and Ferrell’s newest film, The Other Guys. Maybe it’s because of these high expectations, but this fourth film from the duo appears to be the first hiccup, and unfortunately not a small one.
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Originally intended as a vehicle for Tom Cruise Salt was shelved and then given an impromptu sex change operation to ready the way for Angelina Jolie to headline the shoot ’em up. When your leading man becomes a leading lady the original script by Kurt Wimmer (Ultraviolet , Street Kings) had to be rewritten by Brian Helgeland (Conspiracy Theory, Assassins, Man on Fire), and director Philip Noyce (The Bone Collector, Clear and Present Danger) was tasked to make it all work. That’s an awful lot of time and effort to put into a project well before shooting was scheduled to begin. Too bad it wasn’t worth it.
I don’t know whether to giggle or groan.
After skipping the last three issues of this title (seriously, I just couldn’t take any more) I decided to pick-up this one given the promise of answers considering the origins of the 