3.5 Razors

NCIS: Origins – Crazy Little Thing Called Love

  • Title: NCIS: Origins – Crazy Little Thing Called Love
  • wiki: link

Following the theme of the season in which various episodes highlight a single character, although his sexuality doesn’t become common knowledge, the drama behind Wheeler‘s (Patrick Fischler) impending divorce takes center stage and will even play into the murder of the week when the NIS Special Agent in Charge will have to decide whether or not to reveal an alibi given by a career military man, clearing him of the crime, puts him in violation of the uniform code. Mostly an excuse for Wheeler to lose hit shit in the office, the plot does offer a couple of strong scenes between Wheeler and Mary Jo (Tyla Abercrumbie) proving once again why she is the most indispensable member of the office.

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A Savage Art

  • Title: A Savage Art: The Life & Cartoons of Pat Oliphant
  • IMDb: link

A Savage Art: The Life & Cartoons of Pat Oliphant examines the life and career of political cartoonist Pat Oliphant, an Australian artist by birth known primarily for his critiques of American presidents and world events which were published by a wide variety of newspapers over the years including The Denver Post, The Washington Star, and The New York Times.

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Watson – Livvy Sees the Doctor

  • Title: Watson – Livvy Sees the Doctor
  • IMDb: link

After being ignored for several months, a desperate father (Jon Beavers) in a bomb vest takes the clinic hostage forcing them to properly diagnose and save his daughter Livvy (Lucy Turnbull). While the ticking bomb offers some extra motivation, in the end it’s simply another case for the doctors to save. The episode is of note for showing off the selfishness of Beck (Noah Mills) who, while visiting the clinic nearly gets them all killed. That, somehow, only makes Ingrid (Eve Harlow) only hornier for her fellow sociopath pushing her further down a dangerous road.

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Riefenstahl

  • Title: Riefenstahl
  • IMDb: link

For the subject of his documentary, director Andres Veiel turns his camera on the complicated figure of German filmmaker Leni Riefenstahl who rose to prominence during the rise of Germany’s Third Reich. Regarded as an innovator in the art of filmmaking, Riefenstahl’s friendships with Adolf Hitler and Joseph Goebbels, along with her work in help create and style Nazi propaganda films, creates a controversial legacy to parse.

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