3.5 Razors

Hard Candy

  • Title: Hard Candy
  • IMDb: link

Hard CandyA two actor performance piece about a a deranged and vindictive 14 year-old girl and a pedophile. Yeah…you might say this isn’t exactly for everybody. I saw the film in a mostly empty theater during a press screening and I’m pretty sure I would not want to view it in a crowded one. It’s an intensely uncomfortable experience that never quite justifies what it puts the audience through, but there are points to, well not exactly enjoy, but at least appreciate.

Jeff (Patrick Wilson) is a photographer who has an attraction to underage young girls who he meets online. As the film opens he has made a date with 14 year-old Hayley (Ellen Page) to meet at a local coffee shop. The two rendezvous and talk and eventually go back to his place where they share some more conversation over drinks. Everything seems to be going swimmingly for Jeff until he faints and wakes up tied to his chair with Hayley in control calling him a pervert and a predator.

Hayley proceeds to verbally abuse Jeff as she searches through his house for evidence of child pornography and proof that he’s responsible for the abduction and possible murder of an underage girl from the same coffee shop. Jeff at first can’t comprehend his new condition as this young girl has turned the tables on him and seems to grow crazier the longer this goes on. Hayley even goes so far as to tie him to the table and offer her own solution to his problem by suggesting and performing (guys, prepare to wince) an impromptu circumcision.

The film is not for everyone and truthfully most people will be quite uncomfortable through parts if not all of the film. The issues the film raises are serious ones and it never takes them lightly in Hayley’s search for justice and truth. The problem becomes we never are let into the reasons behind her crazed mission and so she comes off as bad, if not worse, than the child molester (something quite remarkable but not necessarily good for the film).

The performances are outstanding in what amounts to basically a two-man play (in fact I think this material would work much better on stage than in a theater where I don’t think casual observers are going to be comfortable with the subject matter). Ellen Page plays Hayley with a multitude of colors and layers letting us see her childhood innocence and her very adult cynical attitudes that lead to violent outbursts and some shocking actions.  Wilson has the uninviable job of making the pedophile the victim of the piece and does well with such a near impossible task.

The film veers off from time to time as events happen and Hayley proves so resilient and intelligent (even clairvoyant at times) that by the end of the film its hard to take her seriously as an actual 14 year-old (or even human for that matter). The film’s length and rather unsatisfying ending may also leave viewers a little cold to a film that although it has a lot to say in the end doesn’t really have a point.

Still the film will illicit a reaction from you the audience member and is different enough with good performances for me to recommend it to people that can stomach the subject matter. Be warned however despite how well it is made it’s not an easy film to take, nor in the end that satisfying of one. And you might want to budget some time afterwards to go home and shower..

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V for…

  • Title: V for Vendetta
  • IMDB: link

“People should not be afraid of their governments; governments should be afraid of their people.”

Here’s what I learned from V for Vendetta: 1). I never, ever, want anyone to try and make Watchmen into a film.  2). Even when you gut a great graphic novel of some of its best material it can still come out well on screen.  3). I have an even deeper appreciation for Sin City.  The Wachowksi adaptation (Moore pulled his own name off the project) isn’t the graphic novel, but it does have something worth watching.  I would have preferred a more faithful adaption to this remodeled version, but what we do get is still quite good; sadly though the source material demands it to be great.  My immediate reaction to the film is mostly positive yet conflicted and wistful of what could have been.

Our hero is a terrorist that blows up half the town (and that’s not even half as bad as what he does to those he “likes”).  Alan Moore gave us a dim future about a totalitarian regime in London and one lone man who wants to bring it all crashing down, and achieve vengeance for what was done to him by the system in the name of progress.

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Eight Below

  • Title: Eight Below
  • IMDb: link

Eight Below movie reviewThe film starts off with a notice that the story is inspired by real events.  Usually such a notice means we’re going to see something that someone’s friend of a friend heard about that happened and then is given the Hollywood treatment to make it even less believable.  Although there is some of that present the makers of the film tried to limit it and stay true to the story, and the end result is surprisingly good.

Gerry (Paul Walker) is a guide at a remote Antarctic research base who works by taking people out on with his sled dogs on various scientific explorations.  Gerry treats the dogs more like family than pets and his love for them is unwavering.  At the end of the season a scientist (Bruce Greenwood) arrives to look for a meteorite and despite Gerry’s strong concerns and objections he takes him out (cue suspenseful music here).

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After the Sunset

  • Title: After the Sunset
  • IMDB: link

I’m not a huge Brett Ratner fan, but of all his movies this is probably my favorite.  I like heist flicks and After the Sunset is a good, though not great, one.  Brosnan’s charm, Harrelson’s wackiness, and Hayek’s beauty make this an enjoyable little film.

Max (Pierce Brosnan) and Lola (Salma Hayek) pull their last heist in Los Angeles stealing the second Napoleon diamond from FBI Agent Stan Lloyd (Woody Harrelson) before retiring to the Bahamas.  On arrival Lola is content with retirement, but Max grows bored.  His boredom comes to an end when Stan shows up telling him that the third Napoleon diamond is on it’s way to the Bahamas and dares him to try and steal it.

Max is in a quandary as Lola wants nothing more than to be married and leave their criminal past in, well, the past.  Also involved is a local gangster Henri Moore (Don Cheadle) who wants Max to steal the diamond to help him pay for his gun running, prostitution, and drug business.

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The Weather Man

  • Title: The Weather Man
  • IMDb: link

The Weather Man is an intriguing little piece of cinema.  It has wondrous, hysterical, moving, and thought provoking moments and yet the film is somehow less than all the great pieces put together.  It’s a hard movie for me to review, because so much of it I enjoyed, and yet not all of it fits together as well as I’d like.  It’s definatly worth taking a look at, and it’s one of those movies that will become highly quotable, yet I left feeling like it was just slightly unfinished.

David Spritz (Nicholas Cage) is on the fast track to success.  He works as the weather man for a local Chicago affiliate and has a good chance to snag the national job on hugely popular morning program with Bryant Gumbel (playing himself).

Yet with all this success David is unhappy.  He is separated from his wife Noreen (Hope Davis), who is dating a dildo named Russ (Michael Rispoli), and alienated from his two kids, Mike (Nicholas Hoult) and Shelly (Gemmenne de la Pena), who are both sliding into unhappy lives of their own.  David is also dealing with the poor health of his father Robert (Michael Cane) who is the paragon of success that David has never been able to measure up to his entire life.

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