3 Razors

She’s Out of My League, or is she?

  • Title: She’s Out of My League
  • IMDB: link

Take your average Ben Stiller vehicle (such as Meet the Parents or Along Came Polly), sift it through a Judd Apatow filter, and what you get is something like She’s Out of My League. Original? Not really, but that doesn’t mean there’s not some fun to be had.

Jay Baruchel is your typical slacker loser you’ll not doubt recognize from similar movies. He’s got a dead-end job, absolutely no confidence or self-respect, a crappy car, and appropriately riotous friends (T.J. Miller, Mike Vogel, Nate Torrence). Kirk’s life is even more pathetic thanks to a family who cares more about his ex-girlfriend (Lindsay Sloane) and her new boyfriend than our star.

In his job as an airport security officer Kirk meets the lovely Molly (Alice Eve). Without really realizing it Kirk does a couple of favors for the beautiful damsel in distress. Molly, who’s just getting out of relationship with a real jerk (who wants to bet he’s the opposite of Kirk in every possible way?), decides to give this unsuspecting loser a try.

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The Lovely Bones

  • Title: The Lovely Bones
  • IMDB: link

Peter Jackson might have been the luckiest director of the 00s. A virtual unknown, the Kiwi hit the jackpot when New Line gave him hundreds of millions of dollars for those Lord of the Rings that came out a few years back (you may have heard of them). He only got luckier when the films turned out to not just be successful, but hugely loved and adored by both the novels’ fans and regular Joes alike. His reward was a $200 million budget for his vanity project, a remake of King Kong that received a less ecstatic response than his previous work.

Jackson closed out his decade with The Lovely Bones, which began playing in limited release last month, about the aftermath of a teenage girl being raped and murdered. Unfortunately, it again fails to live up to Jackson’s work on the Tolkien trilogy; but it’s also a film with moments that should not be dismissed.

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The Young Victoria

  • Title: The Young Victoria
  • IMDB: link

The Young Victoria is a solid effort from screenwriter Julian Fellows (Gosford Park, Vanity Fair).

Emily Blunt proves capable of capturing a young woman on the verge of controlling an empire and struggling with advisers, her mother’s power-hungry lover (Mark Stong), and her own ideas for her country’s future.

And yet, something is missing.

Don’t get me wrong, I enjoyed The Young Victoria. The sets, cinematography, acting, costumes, all demonstrate talent and a keen eye for the period.

Maybe I’ve just seen too many of these paint-by-number historical dramas, or perhaps this film does too little to distinguish itself from all the others.

The film is an attempt to show Victoria (Blunt) blossoming into womanhood, her rise to power, her early years as Queen, and her romance with Prince Albert (Rupert Friend). And it does exactly that, and nothing more.

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Planet 51

  • Title: Planet 51
  • IMDB: link

Planet 51 isn’t going to wow you, but as a first animated feature from Ilion Animated Studios it’s better than I expected.

The story is pretty simple: a peaceful world is invaded by an alien explorer, and with the help of a goodhearted youngster and his friends he eludes the government and attempts to get back home.

Okay, not that original I grant you. Even though the story does a nice job of tilting the perspective by having a Earthman be the invader on an alien world, the weakest piece of Planet 51 is its plot.

By allowing the film to take place on an alien world, however, the film also is finds its strength in designing a world, though goofy, is certainly interesting to explore. This world seems to be centered around a circular design you see in everything from windows to the design of automobiles. Merged with this aesthetic is a 1950’s Americana style in terms of look, film, and sound.

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The Vampire’s Assistant

  • Title: Cirque du Freak: The Vampire’s Assistant
  • IMDB: link

vampires-assistant-posterI’m pretty sure Ed Wood would have loved Cirque du Freak: The Vampire’s Assistant. Messy, flawed, riddled with odd choices and questionable casting, and stuck with a plot that make less, not more, sense as it progresses, The Vampire’s Assistant is in every way a B-movie. And, I’ll admit, I kinda liked it.

Based on a series of novels by Darren Shan the film’s main plot revolves around a rather bland high school student, Darren (Chris Massoglia), and his more rambunctious best friend Steve (Josh Hutcherson) whose main purpose it seems is to get Darren into as much trouble as possible.

A night out takes the pair to a freak show where events unfold that lead Darren into an agreement with vampire Larten Crepsley (John C. Reilly) in order to save his friend. Leaving behind his life, Darren becomes part vampire, and begins his new life in the Cirque de Freak as Crepsley’s assistant.

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