4 Razors

Broken Embraces

  • Title: Broken Embraces
  • IMDB: link

As far as I can tell, Pedro Almodóvar is the most well-known Spanish filmmaker, and has a shot at being the most well-known European one, too. It’s been a lonely three years since his last film, Volver crossed the Atlantic, but now we get Broken Embraces, another story of the consequences and rewards of love. Was it worth the wait? Of course it was.

The story is a complicated entanglement of a filmmaker, Harry Caine, as he recalls his affair with his lead actress Lena (my wife, Penélope Cruz). Though they’re madly in love, they’re kept from happiness by Lena’s boyfriend, the millionaire and producer of Harry’s film, Ernesto. Afraid he’ll ruin the film, they don’t keep the relationship from Ernesto, but not without severe difficulties and consequences.

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An Education

  • Title: An Education
  • IMDB: link

An Education is based on the autobiographical memoir of Lynn Barber. Set in 1950, the story centers around 16 year-old Jenny Miller (Carey Mulligan) and her relationship with a charismatic older David Goldman gentleman caller (Peter Sarsgaard) who turns her world upside down.

What follows is a May/December romance that everyone sees happening, including Jenny, her teachers, and her parents (Alfred Molina, Cara Seymour), but no one can prevent.

Mulligan provides the heart of the film, and will no doubt recieve a fair amount of praise for her performance. Although I’d seen her in small roles as one of the Bennet sisters in Pride & Prejudice and one of my favorite Doctor Who episodes, I didn’t know she could carry the bulk of a quiet dramatic film on her own.

As good as she is, it’s Sarsgaard’s performance that I was most impressed with. There’s little to like about David, especially as the film slowly reveals more damaged layers of his character.

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Harry Potter and the Half-Blood Prince

  • Title: Harry Potter and the Half-Blood Prince
  • IMDB: link

Being a Harry Potter fan and a film snob is not easy. Though Chris Columbus’ films were decent, the only adaptation that really worked was 2004’s The Prisoner of Azkaban. With that single concession, we the faithful have just had to sit around and take it from Warner Bros. as they haphazardly adapted the books into competent but lacking films.

On various occasions, I admit, I day-dreamt of getting that phone call offering me the job of directing the next HP feature – which I’d nail and rock the pants off of, obviously. But having just seen The Half-Blood Prince, I’m shocked but very pleased to say that my services were not at all needed on this sixth movie.

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Adventureland

  • Title: Adventureland
  • IMDB: link

If you’ve seen the trailer and commercials for Adventureland you may very well walk in expecting something like Superbad. Although the film contains some similar humor there’s so much more worth savoring including great moments, both large and small, and the type of love story women will enjoy and guys won’t need to be shackled to the seat to watch. After a single viewing I’m not prepared to call Adventureland a great film, but it is a damn good movie with a little something for everyone.

Jesse Eisengerg (think a less twitchy Michael Cera) stars as James Brennan who is forced to take a job at a local amusement park when his summer plans fall through.

As you would expect the park is filled with characters including his cock-punching best friend from kindergarten (Matt Bush), the sardonic Joel (Martin Starr), the cool older dude (Ryan Reynolds), the beautiful aloof dancer (Margarita Levieva), the wacky couple who run the joint (Bill Hader and Kristen Wiig), and, most importantly, the enchanting yet troubled Em (Kristen Stewart).

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Timecrimes

  • Title: Timecrimes
  • IMDb: link

timecrimes-posterLos Cronocrimenes (or Timecrimes) is a low budget suspense film centered around the concepts of paradox and time travel. That’s not exactly a new area for films to cover, yet Timecrimes finds a fresh take. Part suspense, part sci-fi, and all good, it’s a film you should be on the lookout for. The movie relies on simply imagery, strong emotion, and a well thought-out plot to create a compelling story that you’ll enjoy wrapping your brain around.

Our protagonist is Hector (Karra Elejalde), and ordinary man whose curiosity gets the better of him. When he notices a woman undressing in the woods (Bárbara Goenaga) Hector investigates only to be attacked by a stranger whose face is completely covered by bloody bandages. His escape leads him into a laboratory to hide in a strange contraption only to emerge an hour before he entered to the surprise of a scientist (Nacho Vigalondo, who is also the film’s director).

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