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Supergirl – Pilot

  • Title: Supergirl – Pilot
  • wiki: link

Supergirl - Pilot

Playing on the classic version of the character while giving her super-hero alter-ego a thankless job in a modern media company, CBS’ Supergirl premieres with a solid “Pilot” episode that, while rough around the edges, manages to entertain and show room for improvement. Melissa Benoist seemed like an odd casting choice for Kara Zor-El, Superman’s older (but younger) cousin from Kyrpton sent to Earth to protect him as a baby only to get lost in space and show up years later, but has spirit and spunk that serves her well here. The episode has some nice winks to comic and TV history for both Superman and Supergirl including giving Dean Cain and Helen Slater cameos as the human couple who raised Kara on Earth.

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Mr. & Mrs. Smith

  • Title: Mr. & Mrs. Smith
  • IMDb: link

Mr. & Mrs. SmithOriginally released in theaters 10 years ago, Mr. & Mrs. Smith stars Brad Pitt and Angelina Jolie who, unbeknownst to each other, are rival spies for competing spy organizations. Doug Liman‘s 2005 film has held up pretty well over the past decade. Pitt and Jolie are fun together in a script that allows them to play off each other and, when called for, kick each other’s ass in one hell of a prolonged action scene that leaves their suburb home destroyed.

Most notable for its action set pieces, Simon Kinberg‘s script also has its share of humor (including a Fantasy Island joke that never fails to tickle my fancy no matter how many times I see the movie). It’s not a great film by any standard, but it still works well as a mostly-entertaining action flick (especially the first hour). Released several times on both DVD and Blu-ray, the new version includes pre-released extras and a digital copy of the film but sadly the Blu-ray only includes the theatrical cut of the film as the unrated extended version isn’t available on this release.

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1995 – The Usual Suspects

  • Title: The Usual Suspects
  • IMDb: link

“The greatest trick the Devil ever pulled was convincing the world he didn’t exist.”

The Usual SuspectsOn or around this date 20 years ago The Usual Suspects hit theaters for the first time. Written by Christopher McQuarrie (who recently gave us the best Mission: Impossible movie yet) and directed by Bryan Singer (who has struggled to make a film even half as good ever since), The Usual Suspects introduces us five criminals through a series of flashbacks which recount the events which brought them all together in a police line-up and what then led them to the docks a fateful night leaving only a single member of the group alive to tell the tale.

Despite the fact that the film hinges on reveal and twist ending, it works as well on the twelfth viewing as it does the first. Kevin Spacey stars as Verbal Kent (a role that would earn him an Academy Award and make him a star) who recounts the events of the crew’s movements to Customs Agent Dave Kujan (Chazz Palminteri) while attempting to keep certain facts about the boat and the mythical Keyser Soze from coming to light. The definition of an unreliable narrator, Verbal’s accounts are all Kujan and the audience are given to deduce the truth for themselves.

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The Man from U.N.C.L.E.

  • Title: The Man from U.N.C.L.E.
  • IMDb: link

The Man from U.N.C.L.E.Two things are immediately evident from watching Henry Cavill in The Man from U.N.C.L.E. First, there’s no disputing that the man is a bona fide movie star. Despite having issues with some of the projects he’s chosen (such as Zach Snyder‘s horrific re-imagining of Superman), there’s no doubt Cavill has “it.” Second, based on his appearance as con man turned super-spy Napoleon Solo, it’s obvious that he would make a terrific James Bond balancing the swagger and inner-bastard of the character with aplomb. Not since Connery have we seen a character like this on-screen.

And he isn’t the only one worthy of note. Armie Hammer‘s portrayal of the brutish Russian killer may be a bit one-note, but it certainly washes away the lingering bad taste of The Lone Ranger. Alicia Vikander proves to be a lovely third wheel while, much to my surprise, co-writer/director Guy Ritchie holds back on his usual frantic pace to deliver an equally humorous and cool film about Cold War spies that constantly impresses. Ritchie has struggled to adapt his high-octane style to period pieces in the past (see Sherlock Holmes), but that’s not the case here as only once does Ritchie’s grittier nature appear on-screen. Thankfully, he quickly remembers what kind of film he was hired to deliver.

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Still Craptastic

  • Title: Fantastic Four (2015)
  • IMDb: link

Fantastic FourThe first pre-screening I ever attended as a critic was 2005’s Fantastic Four. It was, in retrospect, a brutal rite of passage. One would hope that after a decade full of comic book films (the good, the bad, and everything in-between) 20th Century Fox would have learned their lesson and seen fit not to unleash such a travesty onto an unsuspecting movie-going audience yet again. One would be wrong.

Fantastic? After three movies somebody really needs to sue Fox for false advertising. The series made substantial improvements with 2007’s Fantastic Four: Rise of the Silver Surfer but still could only squeeze mediocrity out of one the best stories Marvel Comics has ever published.

Choosing to wipe the slate clean by adapting the Ultimate Marvel versions of the characters (an alternate timeline of the Marvel Universe I had little interest in going into this screening and even less on exiting), screenwriters Simon Kinberg, Jeremy Slater, and Josh Trank weave a tale of boy geniuses, alternate dimensions, and maniacal villains who are evil solely because the plot is dependent on them to be.

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