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Pirates, Vegans, and Lesbians. Oh, my!

  • Title: Scott Pilgrim vs. the World
  • IMDb: link

Based on the comic series of the same name young Canadian slacker Scott Pilgrim (Michael Cera) meets the girl of his dreams (Mary Elizabeth Winstead) only to learn he must face-off against, and defeat, all seven of her evil ex’s (Jason SchwartzmanChris Evans, Brandon RouthSatya Bhabha, Mae Whitman, Keita Saitou, Shota Saito). Director Edgar Wright‘s take on the comic is an awful lot of fun and holds up well to multiple viewings. For more check out my original review of the film.

The Blu-ray version of the movie is loaded with extras including multiple audio commentary tracks, featurettes on the making of the film as well as its look and sound, alternative footage, deleted scenes (with director commentary), bloopers, along with standard BD Live extras, a copy of the film on DVD, and the ability to stream either Pitch Black or Tremors for free.

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Megamind

  • Title: Megamind
  • IMDB: link

“Our battles quickly got more elaborate. He would win some, I would almost win others! He took the name Metro Man, defender of Metro City. I decided to pick something a little more humble – Megamind, incredibly handsome criminal genius and master of all villainy!”

What makes a hero? DreamWorks latest animated feature Megamind, scripted by Alan J. Schoolcraft and Brent Simons, and borrowing heavily from the Golden and Silver Age of comic books (most notably a certain Man of Steel), asks that question. The answer they deliver is highly entertaining.

Metro Man (Brad Pitt) is the beloved hero of Metro City. Shot into space as a baby to escape a dying world he arrived on Earth with good looks, great hair, and abilities far outreaching those of the average man. He’s a hero with the powers of Superman and the ego of Booster Gold. But he’s not who this film is about.

There was another shuttle, another dying world, and another orphaned alien child who took his first steps on the planet we call home. He wasn’t as good looking (being blue and all), and lacked the cool powers that made others swoon for Metro Man. Always painted as the bad boy, the trouble maker, this child would grow up to accept and cherish the role by becoming Metro City’s greatest menace: the super-villain Megamind (Will Ferrell).

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Human Target – The Complete First Season

  • Title: Human Target – Season One
  • wiki: link

Christopher Chance (Mark Valley) is a former assassin who now works to save lives as a security specialist by blending into the background, diagnosing a threat, and eliminating it.

Along with former police detective Laverne Winston (Chi McBride) and the unscrupulous Guerrero (Jackie Earle Haley), our hero tries to protect various clients by putting himself in harms way. The series is loosely based on the Vertigo Comics series about a detective/bodyguard who assumes the identity of the target as a master-of-disguise (which isn’t a skill set of the TV-character).

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Condorman

  • Title: Condorman
  • IMDb: link

There are movies which live in my childhood. Viewing them years later, no matter the length of time which may have passed, I’m instantly transported back in time to that darkened theater, fond memories, and childhood wonderment.

Condorman, based on the James Bond spoof by Robert Sheckley, is one of those films. From the Pink Panther-style opening featuring the rousing score of Henry Mancini to the final unheard whispered line at a crowded Dodger game (and everything in-between), I’m hooked. And I wouldn’t have it any other way.

In the film Woody Wilkins (Michael Crawford) is a comic book writer living in Paris while working on his latest creation: Condorman, “Vulture of the western world.” When his best friend, a pencil-pusher for the CIA (James Hampton), needs a civilian to deliver some not-so important secret papers in Istanbul Woody happily volunteers, passing himself off as a top secret spy codenamed Condorman.

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(Hopefully) The Last Airbender

  • Title: The Last Airbender
  • IMDb: link

For his latest disaster movie writer/director M. Night Shyamalan adapts the Nickelodeon animated series Avatar: The Last Airbender. Remember when he gave us great films (Sixth Sense, Unbreakable) filled with tension, plots which sucked you in, strong characters, and great performances? Don’t expect any of those things here.

Although it boasts its share of unintentionally funny moments, The Last Airbender isn’t even bad in a fun way. It’s tedious, head-scratching, amateurish, poorly conceived and even less ably enacted on screen. This concept, and its combination of martial arts, philosophy, and fantasy, might work in 20 minute animated segments but it doesn’t translate well to a live-action feature-length film.

The story involves four nations each based off of one the four elements (easily color coded for the slower viewers). Some of each tribe have the ability to control, or bend, the element of their tribe. How rare a gift, and how easy an ability it is to use, varies wildly throughout the film.

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