Motherless Brooklyn
- Title: Motherless Brooklyn
- IMDb: link
With Motherless Brooklyn, Edward Norton stars, directs, and adapted the novel of the same name. It’s in his choices, and likely his performance, where you will decide what you think of the film. Moving the events back in time allows the story to be reframed as a noir fitting our detective’s narration and the style of a gumshoe tale.
Motherless Brooklyn is shown from the perspective of private detective Lionel Essrog (Norton). Despite being burdened with tics he cannot control, Lionel is the star of Frank Minna’s (Bruce Willis) P.I. business (and car service). But when something goes wrong on a case it falls to Lionel to step-up and unravel a web of criminal conspiracy and murder.
If you can accept Norton’s showcasing Lionel’s tics the film will likely work for you, as it did for me. The character is fascinating and we do see how his nature helps him in other aspects of his job, while admittedly leading to some problems dealing with people. Norton builds on his performance and the strengths of a novel to create a smart and entertaining film (even if it isn’t quite as clever as it thinks it is).
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