Comedy

Borderline

  • Title: Borderline
  • IMDb: link

There’s nothing quite as disappointing as your typical film that never goes for it, never rises to the occasion, and chooses to play it safe within the expected framework of its genre. There are studios who are created for the sole purpose of outputting these kinds of films. Borderline does not have this problem. Writer/director Jimmy Warden‘s batshit crazy dark comedy about a celebrity (Samara Weaving) held hostage by an obsessed fan is the kind of balls-to-the-wall lunacy that garnered and kept my attention for its entire 94-minute running-time. This film rules.

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Ella McCay

  • Title: Ella McCay
  • IMDb: link

In a world where everyone is neurotic, but only in the cutest possible ways, Emma Mackey stars as Lt. Governor Ella McCay who gets promoted to become Governor when her boss (Albert Brooks) gets tapped for a Federal position. Hardworking and dedicated but lacking the people skills to smooth over her rougher edges, Ella is also dealing with the return of her estranged father (Woody Harrelson), the demands of her idiot of a husband (Jack Lowden), concerns over her sort of agoraphobic younger brother (Spike Fearn), and the tamest sex scandal ever seen in politics.

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Bat-Fam – Game Knight

  • Title: Bat-Fam – Game Knight
  • wiki: link

Set in the world of Merry Little Batman, Bat-Fam is the goofiest attempt at a Batman series since the late 60s that seems to be aiming for the Teen Titans Go! audience. The first episode of the series involves Damian‘s (Yonas Kibreab) attempts to win over Wayne Manor’s latest resident 12 year-old former super-villain Claire Selton (Haley Tju). The two bond over the arrival of Alicia Pennyworth (London Hughes) whose business dealings with super-villains Claire finds suspicious.

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Frankenhooker

  • Title: Frankenhooker
  • IMDb: link

Inspired by Mary Shelley’s Frankenstein, writer/director Frank Henenlotter‘s bizarre horror-comedy stars James Lorinz as a would-be scientist who attempts to bring back his girlfriend (Penthouse Pet Patty Mullen) after she’s dismembered in a ridiculous lawnmower accident. Needing body parts to fill out his Frankenstein-ish creation, Jeff targets Crack-addicted New York hookers who he kills off through the use of his new drug which make the group of half-naked women each explode in one of the film’s most memorable moments.

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An American Werewolf in London

  • Title: An American Werewolf in London
  • IMDb: link

There are early examples of films that mixed comedy and horror, but those were more slapstick in style such as Abbott and Costello Meet Frankenstein. Shelved for more than a decade as investors were leary on the project that seemed too scary for a comedy and too silly for a horror flick, the success of 1981’s An American Werewolf in London would prove doubters wrong and open up a new subgenre for films such as Evil Dead 2 and Shaun of the Dead mixing comedic elements with more serious horror elements and gore.

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