Drama

The Banshees of Inisherin

  • Title: The Banshees of Inisherin
  • IMDb: link

A musing on loneliness, depression, and the end of a friendship, writer/director Martin McDonagh‘s The Banshees of Inisherin offers stand-out performances from both Colin Farrell, as the dull but otherwise likable enough Pádraic, and Brendan Gleeson as his longtime friend Colm, who announces one day he wants nothing further to do with his best friend and will perform physical harm to himself should Pádraic refuse to leave him alone.

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NOPE

  • Title: NOPE
  • IMDb: link

There’s quite a bit worth noting about writer/director Jordan Peele‘s NOPE which touches on themes of spectacle and exploitation, the legacy of film, and science fiction. While the individual parts of the film, highlighted by some terrific scenes, are better than the combined whole, the film still delivers an interesting take on the fascination of UFOs and fame.

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The Whale

  • Title: The Whale
  • IMDb: link

Not many films from 2022 brought me to tears, but director Darren Aronofsky‘s managed it with the payoff to his emotional tale of an isolated Internet professor (Brendan Fraser) suffering from guilt, loss, and an obesity that has grown to life-threatening levels. With its small cast and singular locale of nearly every scene taking place within Charlie’s apartment, designed and organized to fit his needs, we feel his isolation in every moment of Aronofsky’s chamber drama.

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TÁR

  • Title: TÁR
  • IMDb: link

As writer/director Todd Field‘s film opens, we meet the formidable Lydia Tár (Cate Blanchett) at the height of her power. One of the greatest living composers, and the first female chief conductor of the Berlin Philharmonic, Tár seems to have it all. However, as Field’s character study delves deeper in the conductor’s life we begin to see cracks in the veneer which will eventually lead to her downfall.

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