Drama

Cry Macho

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  • Title: Cry Macho
  • IMDb: link

Clint Eastwood, who also directs, stars as an old cowboy sent to find the son (Eduardo Minett) of a rancher (Dwight Yoakam) in Mexico and bring him to the United States. Cry Macho is a slow-paced stalled road trip movie with Mike (Eastwood) and Rafo (Minett) getting stuck in a Mexican town for most of the film while hiding from authorities and the boy’s mother (Fernanda Urrejola) who doesn’t want him to leave Mexico.

Knocking around Hollywood for the better part of 50 years, the script offers some minimal commentary on machismo while the title of the movie comes from Rafo’s prize cock-fighting rooster. The story unfolds as expected with no stand-out scenes or surprises. Of course, Mike keeps a secret from Rafo leading to inevitable conflict in the final act before Cry Macho eventually limps to the finish line. It’s not a bad film, but there’s little of interest other than some nice cinematography of Mexico.

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The Eyes of Tammy Faye

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  • Title: The Eyes of Tammy Faye
  • IMDb: link

We get the rise and fall of Tammy Faye (Jessica Chastain) and Jim Bakker (Andrew Garfield) in this examination of the televangelist couple. While recreating moments of the pair’s life, there’s no real point or perspective offered to the events. The Eyes of Tammy Faye isn’t a character study. It isn’t commentary of events. Nor is it a satire.

The film is simply a shallow collection of events that never digs beneath the surface to provide anything of much interest. While we see the odd pair begin their their time as televangelists, the movie isn’t concerned with the rise of the PTL Satellite Network nor the good or ills of the The PTL Club, nor really the fall of grace of the Bakker’s which makes up only a small percentage of the film.

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Licorice Pizza

/ / Movie Reviews
  • Title: Licorice Pizza
  • IMDb: link

During the 70s in San Fernando Valley a 15-year-old child actor will meet a 25-year-old photographer’s assistant on his yearbook picture day and nothing will ever be the same. Licorice Pizza offers the unlikely pairing of the charming hustler Gary (Cooper Hoffman) and the smart but somewhat lost Alana (Alana Haim) who begin as friends, become something more complicated, and then eventually give into their feelings for each other.

Other characters will come and go, including Bradley Cooper offering an insane take on John Peters in one of my favorite performances of the year, but the movie is about our leads’ (often dysfunctional) relationship. The film takes several unexpected turns including Cooper’s introduction, Gary being momentarily arrested, Alana looking for a more meaningful life working on the mayoral campaign of Joel Wachs (Benny Safdie), and Gary’s various enterprises which include a waterbed company and arcade.

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American Underdog

/ / Movie Reviews
  • Title: American Underdog
  • IMDb: link

Adapted from Kurt Warner‘s autobiography, American Underdog follows the unlikely journey of small-time college quarterback Kurt Warner (Zachary Levi) from college, to being completely out of football stocking shelves at a Hy-Vee, and ultimately to the NFL. Much of the film focuses on Warner’s personal life, his relationship with Brenda Meoni (Anna Paquin) and her children, and his struggles in finding life after football.

The film from directors Andrew Erwin and Jon Erwin is attempting to cash-in on a tale similar to Invincible and The Rookie. However, both of those films were produced by Disney who has a better feel for the genre. While it may not measure up to either of those two films, American Underdog is still an interesting look at the lesser-known aspects of Warner’s life although it skirts over his professional relationships in the NFL with everyone except his coaches. 

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The Hand of God

/ / Home Video
  • Title: È stata la mano di Dio
  • IMDb: link

Filippo Scotti stars as the aimless Fabietto in 80s Naples in this coming of age story from Paolo Sorrentino. We’re introduced to Fabietto’s extended dysfunctional family including his womanizing father (Toni Servillo), prankster mother (Teresa Saponangelo), older brother with dreams of becoming an actor (Marlon Joubert), and lascivious aunt (Luisa Ranieri). The film is beautifully shot by Daria D’Antonio framing our stumbling protagonist disconnected from the world long before tragedy strikes upending his life even more.

Sorrentino doesn’t seem to have a destination for Fabietto in mind. Although he grows over the course of the film taking interest in more than football, it’s hard to tell how much he’s actually learned. The untethered protagonist means the film seems aimless as well, even if that’s the point as Fabietto finally discovers he can no longer allow life to pass him by and must start making hard choices.

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