Drama

Misbehaviour

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  • Title: Misbehaviour
  • IMDb: link

Misbehaviour movie reviewMisbehaviour looks back at both the 1970 Miss World competition in London and a handful of women involved with the women’s liberation movement who achieved overnight fame by invading the stage and disrupting the live broadcast. The script by Rebecca Frayn, who also directs, and Gaby Chiappe is a bit more nuanced than I expected. While the film certainly points out the numerous issues with the pageant objectifying the contestants for the public, it also showcases the good of Miss World offering opportunity to women all over the world and allowing both the panel’s judges and its audience the opportunity to consider beauty in different forms.

Keira Knightley stars as a college student and new member of the more disruptive chapter of the WLM (Jessie Buckley, Ruby Bentall, Lily Newmark, among others). The 1970 pageant was memorable both for the protest, which disrupted the live telecast, and for the fact that Miss Grenada (Gugu Mbatha-Raw) became the first black woman to win. Greg Kinnear is a bit hammy playing Bob Hope, who the organizers (Rhys Ifans and Keeley Hawes) recruit as this year’s celebrity. But, to be fair, he is playing Bob Hope.

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The Father

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  • Title: The Father
  • IMDb: link

The Father movie reviewThe Father offers a view at the world through the eyes of an 83 year-old man (Anthony Hopkins) fighting Alzheimer’s and dementia. Events and characters are jumbled due to Anthony’s (Hopkins) confusion about where he is living, and even the identity of the the people around him who are only sometimes recognizable. Events are often incomplete and shown out of order, to allow the audience to stumble through Anthony’s reality with him before enough is finally revealed to piece together more of his reality than he seems capable of fully understanding.

Olivia Colman, Olivia Williams, Mark Gatiss, Rufus Sewell, and Imogen Poots all come and go throughout the film as Anthony struggles to remember who each is as his frustration leads to anger and resentment. Hopkins is the glue which holds the film together, but each actor adds another level to the Anthony’s distorted world. Director Florian Zeller adapts his own award-winning play Le Père for the screen offering a heartbreaking account of one slowly loosing their grip on reality that is often soul crushing in its honest and bleak examination of dementia and how it affects an individual as well as those around him.

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The Mauritanian

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  • Title: The Mauritanian
  • IMDb: link

The Mauritanian movie reviewBased on the true experiences of Mohamedou Ould Salahi (Tahar Rahim) being held by the United States Government for years for suspected ties to 9/11, director Kevin Macdonald‘s film chronicles his stay in Guantanamo Bay and the work of his lawyers (Jodie Foster and Shailene Woodley) to earn his release, not because they believe he is innocent but they believe what happened to Salahi was unconstitutional.

The cast is stellar. We also get Benedict Cumberbatch as the prosecutor with personal ties to the case and Zachary Levi as a sort of shady government agent who doesn’t want the methods for extracting information revealed. Much of the film examine how hard it is to go up against the United States Government in court, especially when Federal Agencies have the power to redact and deny information. The film chooses to make Salahi’s innocence, and in some ways the character himself, of secondary importance over a legal argument that almost never sees the inside of a courtroom. It also relies on big shocking emotional reveals not unlike screenwriters call-out both the Government and the people of the United States for their frenzied reaction to 9/11.

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1991 – The Silence of the Lambs

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  • Title: The Silence of the Lambs
  • IMDb: link

The Silence of the Lambs movie review30 years ago, on Valentine’s Day, The Silence of the Lambs was released in theaters. While not the first of Thomas Harris‘ novels to be written about Hannibal Lecter (Anthony Hopkins), nor the first to be adapted to film, The Silence of the Lambs stands out from the rest for the odd pairing central to its story. With prequels, sequels, and even television series, Hollywood has searched for a way to recreate the magic of a film that took home Oscars for Best Picture, Best Director, Best Actor, Best Actress, and Best Adapted Screenplay while earning a reputation as an instant classic. 30 years later, they’re still looking.

The first thing you notice about watching The Silence of the Lambs is how well it holds up building tension and teasing the audience where the story will lead next. We start with the introduction of a FBI trainee sent to interview the former psychiatrist and currently incarcerated cannibalistic serial killer. The unusual relationship between the pair will provide the heart of the film as Lecter offers to help Clarice Starling (Jodie Foster) hunt down a current serial killer, and former patient, Buffalo Bill (Ted Levine), as the tabloids have named him, who is killing and skinning young women.

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Minari

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  • Title: Minari
  • IMDb: link

Minari movie reviewMinari gives us a look at the American dream through the eyes of a Korean-American family relocating from California to rural Arkansas where Jacob (Steven Yeun) hopes to make his fortune growing and selling Korean vegetables across the region while he and his wife (Yeri Han) temporarily make due with jobs at a nearby hatchery. Although his wife is far from certain about his plan, or their new double-wide mobile home, the family works to put down roots and begin a new life. And life is what Minari is all about.

The semi-autobiographical film by writer/director Lee Isaac Chung showcases the family’s ups and downs in 1980s Arkansas far from anything or anyone that remind them of home. At times amusing, such as dealing with the couple’s rambunctious son David (Alan S. Kim), at times uncomfortable, such as the couple struggles over Jacob’s priorities putting the farm above the family, and at times heartbreaking, as the family struggles with misfortune, Minari is a well-crafted slice of life from an unique perspective that feels lived-in and real. Chung’s love of the time and place is palpable in every scene of the film as he wistfully peers back through the years for home.

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