Drama

Why Joker is the Most Overrated Movie of the Year

  • Title: Joker
  • IMDb: link

Joker movie reviewAlthough it has been phenomenally successful at the box office, writer/director Todd Phillips‘ film focused on the origins of the most famous Bat-villain has divided critics. Forgetting for a moment that attempting to rationalize and explain one of the most inexplicable characters ever created is a terrible, terrible idea doomed to failure, Phillips’ choices over the course of Joker leave much to be desired.

Stealing its plot from two different Martin Scorsese films (Taxi Driver and The King of Comedy) and adding a layer of DC Comics on top which acts more of a fuck you to fans than celebration of the character (purposely making claims that fly in the face of 80 years of comic writing), Phillips offers a script to explain the creation of the Joker. The movie isn’t a descent into madness, our lead character is already far gone by the time we meet him. Instead, Joker examines how a shitbag like our protagonist became the most famous villain in Gotham. And, in one of the film’s most troubling aspects, excuse that behavior by re-purposing the blame of the Joker’s actions on society itself. The Joker doesn’t kill people, society kills people.

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Marriage Story

  • Title: Marriage Story
  • IMDb: link

Marriage Story movie reviewOffering as much commentary on divorce at large as its effect on his two main characters in Marriage Story, writer/director Noah Baumbach explores the dissolving marriage of theater director Charlie Barber (Adam Driver) and actress Nicole Barber (Scarlett Johansson) who struggle through change in humorous and heartbreaking ways. While their separation is mutually understood from the opening scene, a particularly good use of narration that allows us to get a sense of both characters, Charlie seems less able to deal with the changing realities of the family dynamic while Nicole relocates from New York to Los Angeles with their son Henry (Azhy Robertson) for work on a television pilot and begins to take the lead in the divorce by hiring a ball-busting attorney (Laura Dern).

There is still affection between the pair, but there is also hurt, resentment, and anger which only increases as the divorce becomes more litigious. Providing some of the film’s more humorous scenes, Alan Alda and Ray Liotta both appear at times as Charlie’s lawyers taking on Dern’s character in court (proving the old adage that the only ones who win in divorce proceedings are the lawyers).

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The Aeronauts

  • Title: The Aeronauts
  • IMDb: link

The Aeronauts movie reviewThe Aeronauts is equal parts celebration of dreamers, disaster movie, grand adventure, romantic comedy, overcoming fears and past mistakes, and scientific exploration. Not surprisingly, this proves to be a few too many balls for writer/director Tom Harper to keep aloft while attempting to juggle the various aspects of the script (which could have been streamlined quite a bit) and still provide a singular, if historically inaccurate, vision of James Glaisher story.

Based loosely on real events, Eddie Redmayne stars as scientist James Glaisher who was obsessed with proving his meteorological theories. Taking the place of the actual balloon pilots who took the scientist high enough to shatter the world record, Felicity Jones stars as the fictional Amelia Wren on-hand to both fly the hot air balloon and offer some spectacle to the crowd to increase interest. An amalgamation of multiple balloonists, the fictitious Wren allows for the re-teaming of of Redmayne and Jones (who previously starred together in The Theory of Everything) providing some nice moments between the pair high above the clouds (and also some questionable drama stumbling around on Earth).

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Dark Waters

  • Title: Dark Waters
  • IMDb: link

Dark Waters movie reviewDark Waters is an interesting story that isn’t always told in an interesting way. Based on real events, Mark Ruffalo stars as corporate lawyer Robert Bilott who gets roped into taking on the kind of client his firm usually argues against when a farmer shows up in his offices with a story to tell how his land is being poisoned by the small town’s main employer, DuPont. Much like the court case itself, the film drags on as any movement in events happens at a glacial pace over decades (eventually the movie begins to increase the rapidness of its fast-forwards to alleviate some of the on-screen stagnation).

The script by Matthew Michael Carnahan and Mario Correa showcases how a big corporation flaunts its wealth and privilege, while ignoring any responsibility, even when solid proof of their wrongdoing is exposed. The other aspect to the film, not as well explored, is how the case changes Bilott’s life, both professionally and at home, when he decides to take on a case that eventually becomes more of a crusade he feels obligated to see through. The film’s set-up reminded me of 1998’s A Civil Action (among other films) which explores many of the same themes.

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A Beautiful Day in the Neighborhood

  • Title: A Beautiful Day in the Neighborhood
  • IMDb: link

A Beautiful Day in the Neighborhood movie reviewA Beautiful Day in the Neighborhood isn’t what I expected. Director Marielle Heller and screenwriters Micah Fitzerman-Blue and Noah Harpster choose not to not center the movie around Fred Rogers but on the friendship which was created when Rogers met a journalist doing a piece on him for Esquire magazine. The construction of the film arguably makes Fred Rogers a supporting player in his own movie, but it also tilts the focus not on how Fred Rogers came to create and host Mister Rogers’ Neighborhood but instead on what many agree is his most defining characteristic – his drive to help people.

Matthew Rhys stars as investigative journalist Lloyd Vogel who isn’t all that keen on the puff piece assignment of interviewing Fred Rogers (Tom Hanks) for the magazine’s hero issue. Lloyd is also dealing with some strain in his marriage to Andrea (Susan Kelechi Watson) with a new baby and the unexpected return of an estranged father (Chris Cooper).

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