Drama

Isle of Dogs

Isle of Dogs Blu-ray reviewWriter/director Wes Anderson‘s return to stop-motion may not measure up to Fantastic Mr. Fox, but the quirky tale of an injured boy searching a quarantined island for his lost dog hits most of the right notes. When the dog population becomes infested with Dog Flu, all the dog’s in Japan are quarantined to an island of trash where the nephew (Koyu Rankin) of the mayor crash lands in search of his loyal dog.

The story is presented mostly from the point-of-view of the dogs (voiced by Bryan Cranston, Edward Norton, Bob Balaban, Jeff Goldblum, and Bill Murray), who are unable to communicate with the the boy but instinctively set-out to help find his lost dog. Even the reluctant stray (voiced by Cranston) discovers why young boys are a dog’s best friend.

The plot gets a bit over-complicated by a conspiracy within the Japanese government, drones and robotic hunting dogs sent to bring back the boy, an exchange student (Greta Gerwig) at a school newspaper’s search for the truth, and a romantic subplot between a couple of the dogs.

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Colette

  • Title: Colette
  • IMDb: link

Colette movie review

Beginning in the late 19th Century, Sidonie-Gabrielle Colette (Keira Knightley) became one of several ghostwriters for her husband Willy (Dominic West) who was notorious for putting out other’s work under his name (which helped secure better publishing rights and a broader audience than any of the writers could achieve on their own). A womanizer and gambler always living beyond his means, Willy was always looking for the next big thing (and wasn’t above bullying those around him to achieve his goals).

By far, Willy’s largest success were a series of novels penned by Colette, but released under his own name, about a French girl named Claudine. Much like Willy’s financial success was built on the hard work of his wife, so too is director Wash Westmoreland‘s new film built on the back of Keira Knightley’s performance. A talented woman born a century too early for her talents to be fully appreciated, Colette focuses on the first-half of the artist’s life including her marriage, the writing of her Claudine novels, her growth as an artist, her romantic relationship with both her husband and female lovers (Denise Gough and Eleanor Tomlinson), and her eventual independence.

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Sorry Nina, It’s All About Mary

  • Title: All About Nina
  • IMDb: link

All About Nina movie reviewI really wanted to like All About Nina. I can certainly tell what drew Mary Elizabeth Winstead to the project in which she plays a stand-up comedian struggling with her career and relationships. While Winstead makes the most of the dramatic moments, particularly during an impressive breakdown on stage, the script from writer/director Eva Vives does the actress no favors.

Had Nina (Winstead) been written as an average struggling comic the script may have worked better, but, while Winstead does her best to sell Nina’s material on stage, the jokes aren’t strong enough to sell the character as comedy’s next big thing.

Leaving New York, and a dysfunctional relationship with a married man (Chace Crawford), Nina heads to Los Angeles. Not the actual Los Angeles, but the cliched movie version with hippie roommates and fame and soulmates just waiting to be found. While auditioning for a job that would launch her career, Nina begins an emotional relationship with an LA local (Common) who apparently is the first nice guy Nina has ever met, let alone dated.

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A Star is Born

  • Title: A Star is Born
  • IMDb: link

A Star is Born movie reviewWhile not the most original of projects, A Star is Born is the fourth movie of that name which older artists help to launch the careers of younger artists, the story is emotionally engaging and expertly told. There is always a challenge with musicals when choosing either actors who can sing or singers who can act. For its two leads, A Star is Born chooses one of each. In the first 10 minutes we learn three things. First, Bradley Cooper can direct. Second, Lady Gaga can act. And finally, Bradly Cooper can sing. All of this results in a compelling film.

Cooper stars as Jackson Maine, a musician who can still sell out arenas but is obviously on the downside of his career. An alcoholic and drug addict, Jackson meets Ally (Lady Gaga) in a drag club one night. Sparks fly nearly immediately as Jackson discovers not only does Ally have a great voice but also a talent for writing personal songs. A friendship and romance blossoms as Jackson pushes Ally into the spotlight launching her career and creating new tensions between the two artists and lovers concerning Ally’s rise to fame and issues and addictions Jackson chooses not to speak openly about.

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Christopher Robin

  • Title: Christopher Robin
  • IMDb: link

Christopher Robin movie reviewChristopher Robin is a safe, by-the-numbers, inoffensive Disney live-action film that is likely to appease (although probably not delight) its target audience. Based on the Winnie-the-Pooh stories by A. A. Milne, Ewan McGregor stars as the fictional character Christopher Robin (originally based on Milne’s own son) who has grown-up and left his childish things long behind and currently is lost in a stressful job while struggling to connect to his wife (Hayley Atwell) and daughter (Bronte Carmichael). In the midst of a crisis, Christopher Robin is shocked by the sudden appearance of his old friend Winnie-the-Pooh (Jim Cummings) who arrives in London and enlists Christopher Robin to help find the rest of the old gang who have disappeared.

There’s an interesting idea for a dark comedy in Christopher Robin about a middle-aged man having a psychotic break and running into the countryside with a make-believe talking bear made of felt. Sadly, that’s nowhere near the film Disney was interested in making. Instead, Christopher Robin takes his pal back to the old stomping grounds and, while in search of the other characters, rediscovers a bit of his old self.

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