Drama

Black Mass

/ / Movie Reviews
  • Title: Black Mass
  • IMDb: link

Black MassBlack Mass is a semi-successful film highlighting the amazing story of Irish-American mobster Jimmy “Whitey” Bulger (Johnny Depp) and his rise to prominence in South Boston in the 70s and 80s as the head of the Winter Hill Gang in large part thanks to his role as an FBI informant for Agent John Connolly (Joel Edgerton). What should be a thoroughly engrossing character study becomes a by-the-book gangster movie that entertains but doesn’t due justice to the source material.

Screenwriters Mark Mallouk and Jez Butterworth adapt the non-fictional account of events from Dick Lehr and Gerard O’Neill’s book that is highlighted by Depp’s performance under heavy make-up as the charismatic violent sociopath. There’s certainly more to the story than we get here, and I do have to wonder how much director Scott Cooper left on the cutting room floor. I expected far more about Bulger’s rise to power, which we hear the FBI talk about constantly but we don’t see evidence of over the course of the film. The filmmakers’ focus on the lives of Whitey Bulger and his closest associates leaves the larger canvas left half finished.

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Digging for Fire

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  • Title: Digging for Fire
  • IMDb: link

Digging for FireMiddle-age apathy is the major theme of Digging for Fire as a husband (Jake Johnson, who co-wrote the screenplay along with director Joe Swanberg) and wife’s (Rosemarie DeWitt) separate weekend plans while on vacation let each work through the listlessness of their shared existence and eventually find their way back to each other. It’s a story that’s been done several times, sometime much better (like Massy Tadjedin‘s 2010 film Last Night) and more often far worse (any number of middle age brain-dead romcoms).

More archetypes than fully fleshed-out characters, neither Tim nor Lee are all that interesting. Tim is your typical mid-life crisis male wanting to spend time with old friends and recapture lost youth. Lee is worried about the future, her marriage, and loosing her sense of self under the weight of marriage and parenthood. Johnson and DeWitt give the characters a bit of a spark but it’s Tim’s unusual obsession with finding a bone and old revolver buried in the back yard of the home where the family is staying that proves to give the movie something unique to explore, if not something terribly original to say.

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Grumpy Old Mr. Holmes

/ / Movie Reviews
  • Title: Mr. Holmes
  • IMDb: link

Mr. HolmesAdapted from Mitch Cullen‘s novel A Slight Trick of the Mind, Mr. Holmes is an intriguing, if flawed, idea offering audiences a look at the retired detective fighting senility while struggling to remember the details of his final case decades before. I say flawed because despite a terrific performance from Ian McKellen removing the keen intellect from Sir Arthur Conan Doyle‘s Sherlock Holmes also removes the character’s most definable trait leaving only a hollow shell in its place.

Taking place three decades after his retirement into the country to spend his time with his bees, a senile and grumpy Sherlock Holmes struggles to remember the details of his final case which he is certain Watson wrongly chronicled. His secluded existence is witnessed only by his housekeeper Mrs. Munro (Laura Linney), her son Roger (Milo Parker), and the occasional visit from Sherlock’s doctor (Roger Allam). Returning from a trip to Japan at the opening of the film, which is chronicled in flashbacks inter-cut with those of his final case and his current retirement, Holmes strikes up an unexpected friendship with Roger who helps reignite the detective’s memory.

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Inside Out

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  • Title: Inside Out
  • IMDb: link

Inside Out

What’s going on in an 11 year-old girl’s head? That’s the question writers/directors Pete Docter and Ronaldo Del Carmen seek to answer in Inside Out where young Riley (Kaitlyn Dias) is uprooted from her home in Minnesota to San Fransisco without warning causing chaos both inside her mind and in the real world.

In a summer loaded with sequels, franchises, and reboots, Inside Out stands out as refreshingly original. Inside Riley’s mind we meet the aptly named Joy (Amy Poehler), Sadness (Phyllis Smith), Fear (Bill Hader), Anger (Lewis Black), and Disgust (Mindy Kaling) who work in concert to manage Riley’s reaction to any possible situation. When Joy and Sadness get lost in the outer region of Riley’s mind during the most tumultuous time of the young girl’s life Riley’s happiness is put at risk leaving the other three emotions to try their best to keep her on track.

The filmmakers allow the emotions to humorously interact, playing to the younger audience, while using the concept to delve into deeper themes about how a person’s mind works and what happens when something goes wrong.

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The Age of Adaline

/ / Movie Reviews
  • Title: The Age of Adaline
  • IMDb: link

The Age of Adaline

The Age of Adaline takes an intriguing premise about a woman who has lived for more than a century, through the rise of women’s rights, technological booms, two world wars, and the rise of an Information Age all of which it effectively turns into a Nicholas Sparks trashy romance novel. Blake Lively stars as Adaline Bowman who, through a ridiculous premise of laughable pseudo-science a narrator (Hugh Ross) is needed to help explain, stopped aging and looks the same today as she did in 1929. Hiding for most of her life with only a daughter (Ellen Burstyn) who knows her secret, Adaline sheds her identity every ten years to hide her condition. Preparing for just such a move, Adaline encounters a wealthy artist (Michiel Huisman) and, for the second time in her life, falls in love.

Despite the film’s sci-fi set-up neither director Lee Toland Krieger nor screenwriters J. Mills Goodloe and Salvador Paskowitz are interested in exploring the various times and lives Adaline has lived except in the most superficial of ways. It’s sad because the film casts an actress that looks at home in a variety of styles and the period set direction (what little we see) is competently done.

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