Drama

Wish I Was Here

  • Title: Wish I Was Here
  • IMDB: link

Wish I Was HereTen years ago Zack Braff wrote, directed, and starred in a little film called Garden State. Over the next decade the actor continued to work in front of the camera but other than directing a few episodes of Scrubs left the work behind the camera to others. With the help of a Kickstarter campaign, Braff returns to the big screen with Wish I Was Here which features many of the same quirks of his Garden State while focusing on sensibilities that have evolved over time.

Despite having a similar slice-of-life take on a character not too far removed from his own (here Braff stars as a struggling actor with an overworked wife and demanding children), Wish I Was Here is far less effective than Garden State. Co-written by Braff’s brother Adam, the new feature provides some great individual moments (including reminding us that Kate Hudson can act when called upon to do something more than braindead romcoms), but fails in becoming more than the sum of its parts by offering an overly simplistic ending to a messy (and increasingly cliched) life seemingly freed of all troubles in under two-hours.

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Can a Song Save Your Life?

  • Title: Begin Again
  • IMDb: link

Begin Again

Written and directed by John Carney, Begin Again is simply a joy to watch. At times this tale of the mismatched pair of a record label exec (Mark Ruffalo) whose life is swirling around the drain and a young singer-songwriter (Keira Knightley) dealing with crushing rejection of her now-successful longtime writing partner and boyfriend (Adam Levine) comes dangerously close to being too cute for its own good. Thankfully Carney’s choice to ground the film in serious issues such as heartbreak, betrayal, estranged families, and politics of the music business balances the film’s hopeful tone and message to prevent the movie from ever becoming too cliche or sappy.

While Ruffalo provides both angst and humor, Knightley is the soul of the film. Having only seen her sing in short segments of The Edge of Love (a movie worth seeing more for her performance more than anything else), I was thrilled to find a her lilting voice the perfect match for the indie songwriter thousands of miles from home dealing the emotional yo-yo of immediate heartbreak and at the same time a once-in-a-lifetime record offer.

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Chef

  • Title: Chef
  • IMDb: link

ChefAlthough the storyline doesn’t veer far from well-established basic themes we’ve seen in countless films over the years involving reinventing your life, father-son dynamics, road trips, and overcoming adversity, with the right ingredients and cast writer/director/star Jon Favreau delivers a sumptuous treat as delectable as the various food on display. Calling on the help of a handful of his old Iron Man buddies, Favreau offers up his best film yet in front of, or behind, the camera.

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Gugu Mbatha-Raw is the Belle of the ball

  • Title: Belle
  • IMDB: link

BelleInspired by the 1779 painting of mixed-raced aristocrat Dido Elizabeth Belle (Gugu Mbatha-Raw) beside her white cousin Lady Elizabeth Murray (Sarah Gadon) with whom she was raised by her uncle William Murray, 1st Earl of Mansfield (Tom Wilkinson), Belle is an interesting look at a woman who grew up in lavish luxury but still searched long and hard for her true place both within her family and the wider world to whom she was seen as (at best) an outcast.

With no diary to draw directly from and only scattered reports of what the woman’s life would have been like under her uncle’s roof (such as not being allowed to dine with guests), screenwriter Misan Sagay certainly takes liberties with the story. At its best Belle is a strong character drama although it also devolves at several points into a time-period-specific romance novel. The rougher moments of Sagay’s tale are saved by the terrific performance of Gugu Mbatha-Raw who infuses the character with passion, strength, and a dogged determinedness which serves her well (but also gets her into spots of trouble).

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Transcendence

  • Title: Transcendence
  • IMDB: link

TranscendenceThe question about Transcendence isn’t if its eventual flaws will eventually cause you to lose interest but when. I’ll admit I was surprised, despite the ridiculous nature of what screenwriter Jack Paglen‘s script considers science, that by relying on some intriguing ideas and a solid cast the film kept me interested far longer than I expected. Of course that was before the movie went completely off the rails and crashed in a hideous and head-scratching mess.

Putting human intelligence in a machine is hardly anything new. Well before the invention of computers and the Internet sci-fi and horror authors were playing on the idea. The premise Paglen begins with is sound enough as several of the leaders in artificial intelligence are attacked by an a quasi-religous, sorta anti-technology (but not really) terrorist group. Although Will Caster (Johnny Depp) survives the initial attack, with only months left to live his wife (Rebecca Hall) and best friend (Paul Bettany) use their combined research to create an artificial intelligence out of his mind.

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