Drama

In a World…

  • Title: In a World…
  • IMDb: link

In a World...

Premiering at Sundance earlier this year first-time writer/director Lake Bell‘s In a World… quickly became a critical darling taking home the festival’s award for screenwriting. I’ve been largely unimpressed with Bell and her forgettable career which includes one of the worst comedies I ever had the misfortune to sit through, so I can definitely understand her reasoning for wanting to but together the kind of role no one else was offering her.

As the film of a first time director In a World… shows promise and centering the story around the largely untapped world of voice-over artists gives the otherwise by-the-numbers romantic comedy something of an unique feel. Bell’s time in the industry also allows her to put together a pretty strong indie cast of familiar faces.

But despite the intriguing set-up and good performances, most of the promise of In a World… is unfulfilled. Bell’s creativity in one part of the story is balanced by laziness in another as she fails to do much other than offer up what amounts to a slightly better than average romcom.

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Oh What a Rush

  • Title: Rush
  • IMDB: link

RushEven more than winners and losers, championship runs and crushing defeats, sports are defined by rivalries. In Rush, director Ron Howard and screenwriter Peter Morgan (Frost/Nixon, Hereafter, The Queen) turn their attention to Formula One and the mid-1970s rivalry between two upstarts whose competition eventually would make them both world champions.

The stark contrast in the two characters and the drama of the season screams Hollywood sports film, and I’m a little surprised it has taken this long for their story to find its way to the big screen. Without the backing of his family Niki Lauda (Daniel Brühl) bought his way into Formula One with a prickly personality and an unparalleled knowledge of getting the best out of his car. Lauda’s main competition came from the charming but flighty James Hunt (Chris Hemsworth) who despite lacking Lauda’s single-mindedness made up for it in his own self-absorbed recklessness and resolve to prove he could beat anyone on a race track.

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Don Jon

  • Title: Don Jon
  • IMDB: link

Don JonWritten and directed by star Joseph Gordon-Levitt, Don Jon is a romantic comedy presented from the male perspective that’s likely to appeal more to men than women. A film about how a man loves porn more than the woman he’s with is certainly a tricky topic for a date movie (while making certain aspersions to the emotional porn of romcoms and Catholicism along the way), but Gordon-Levitt manages to pull off the intriguing premise even if it looses steam when the film takes its inevitable dramatic turn.

Jon (Gordon-Levitt) really only cares about a handful of things in his life: his friends, his car, his apartment, his religion, and, even more than the bevy of beauties the man takes home every night, his porn. And he really takes his porn seriously. You might even go so far as to call Jon a porn connoisseur. Even when he begins dating the stunning Barbara (Scarlett Johansson), Jon is incapable at letting go of his true love which is always presented in a series of quick-cuts featuring the sound his Mac powering and various porn clips before the inevitable shot of a wad of Kleenex hitting the trash can.

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Austenland may be a fun place to visit, but…

  • Title: Austenland
  • IMDb: link

Austenland

Based on the novel of the same name by Shannon Hale, writer and first-time director Jerusha Hess (co-writer of both Napoleon Dynamite and Nacho Libre) delivers a quirky, over-the-top, odd film that is more charming than it has any right to be. Showcasing how one may take fandom too far, Keri Russell stars as Jane Hayes, a middle-aged single woman with a lifelong obsession for the works of Jane Austen and a romantic life that has never lived up to her fantasies. Spending her entire savings, Jane books a vacation at an Austen-themed destination getaway where she might finally live out those fantasies as a woman from Austen’s era.

In the spirit of a Christopher Guest film that simultaneously celebrates and pokes fun at a particular niche, Austenland‘s premise could turned around any number of overzealous fans and the properties they embrace so religiously. However, anyone who has ever known a woman obsessed with Austen’s books may take a somewhat perverse glee in Jane’s realization that her time-period-appropriate assigned role isn’t all that it’s cracked up to be.

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Mud

  • Title: Mud
  • IMDB: link

MudWhen two teenager boys in the Arkansas bayou discover a hermit named Mud (Matthew McConaughey) living in a boat stuck high in a tree after a recent flood it’s an encounter that will forever change all three of their lives. As a coming of age story, at its best Mud reminds you of Great Expectations or To Kill A Mockingbird as Ellis (Tye Sheridan) and Neckbone (Jacob Lofland) get drawn into Mud’s world and learn hard lessons of life and love.

The themes of Mud keep recurring (perhaps a tad too neatly) as Mud’s troubled relationship with his ex Juniper (Reese Witherspoon) is mirrored with Ellis’ own early experiences with love and the impending divorce of his parents (Michael ShannonSarah Paulson) that threatens to destroy his home. Much of the plot deals with an old enemy (Joe Don Baker) of Mud out for revenge, but the real focus of the movie isn’t on the tension-building search for convict but on how Ellis and Mud’s experiences both change how they view the world and women.

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