Drama

Before Midnight

/ / Movie Reviews
  • Title: Before Midnight
  • IMDB: link

Before MidnightIn 1995 Richard Linklater and stars Ethan Hawke and Julie Delpy collaborated on a small independent film which centered around a burgeoning romance between an American man and French woman on the final day of his European vacation before flying home the next morning. Set against the backdrop of Vienna, Before Sunrise is the kind of movie romance, centered on two people meeting and falling love and honestly discussing their feelings, beliefs, and desires, that Hollywood has long since given up trying to make in favor of the type of contrived romantic comedies Katherine Heigl and Kate Hudson are known for. It’s also the beginning of one of the least probable movie franchises ever conceived.

Nine years after making the original film, which ended with Jesse (Hawke) and Celine (Delpy) parting ways with plans to reconnect in the near future, Linklater reconnected with his two stars and put out a sequel set in real time as the two star-crossed lovers reconnected for an afternoon on the streets of Paris in Before Sunset before Jesse was scheduled to fly back home that night.

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The Dull Gatsby

/ / Movie Reviews
  • Title: The Great Gatsby
  • IMDB: link

The Great GatsbyIt took five years after the disaster which was Australia for writer/director Baz Luhrmann to be allowed to make a feature film again. Sadly, it was this film. I kid, but the sad truth is Australia was an amazingly bad trainwreck that deserved every bit of scorn it earned from critics and audiences alike. Even sadder is the fact that Australia might actually be a better film than the writer/director’s current adaptation of F. Scott Fitzgerald’s novel which takes literary classic and grinds it down into dime store romance novel full of the director’s trademark spectacle, garish production design, and style (complete with inappropriate time-period music), resulting in dreadful boring film.

The Great Gatsby isn’t horrifically bad. It’s not the kind of truly wretched film that would rise my ire and pitchfork for a march on the director’s metaphorical castle. Almost as troubling, Luhrmann’s version of The Great Gatsby is an emotionally stunted and empty experience that often tells us, but never shows us, why we should care for these characters or the tragic events in which they find themselves trapped.

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Ginger & Rosa

/ / Movie Reviews
  • Title: Ginger & Rosa
  • IMDb: link

Ginger & Rosa

Writer/director Sally Potter‘s Ginger & Rosa isn’t a bad film by any means, but it’s certainly more concerned with showcasing the talents of its actors (particularly its young leading lady) than presenting a compelling tale set in 1962 London against the backdrop of nuclear proliferation and the Cuban Missile Crisis.

Elle Fanning stars as Ginger, the smart daughter of an irresponsible father (Alessandro Nivola) and demanding mother (Christina Hendricks). She’s also surrounded by a collection of equally pompous and pretentious role models (Timothy Spall, Oliver Platt, Annette Bening) who feed the girl’s interest in activism and rebellion without taking the slightest interest in what is going on inside Ginger’s impressionable young mind.

The calm in the storm for Ginger comes in the form of her lifelong best friend Rosa (Alice Englert). By far the more extroverted and promiscuous of the pair, Rosa continues to push Ginger into taking chances and having fun.

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On the Road

/ / Movie Reviews
  • Title: On the Road
  • IMDB: link

On the RoadAdapted from Jack Kerouac‘s semi-autobiographical novel of the same name, On the Road follows the misadventures of young writer Sal Paradise (Sam Riley) who takes up with the charismatic Dean Moriarty (Garrett Hedlund) for a hedonistic journey across the country that involves sex, drugs, the defining music and philosophy of the Beat Generation, and both Dean’s girlfriend Marylou (Kristen Stewart) and wife Camille (Kirsten Dunst).

Francis Ford Coppola purchased the movie rights in 1979, but spent decades unable to get the meandering period piece centered around a group of self-important characters off the ground. In late 2010 his patience was rewarded by director Walter Salles and screenwriter Jose Rivera who were finally able to bring the project to fruition.

On the Road is, at best, a mixed success. The relationship between Riley and Hedlund succeeds while Salles sprinkles in solid small supporting performances from recognizable actors such as Viggo Mortensen, Amy Adams, and Alice Braga.

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Spring Breakers

/ / Movie Reviews
  • Title: Spring Breakers
  • IMDB: link

Spring BreakersHarmony Korine is a divisive filmmaker whose themes and characters are often are far more complicated then they initially appear but whose detractors often point to his limitless self-indulgence and gleeful exploration of his young stars; you shouldn’t expect anything less from the writer/director’s latest, Spring Breakers.

Korine knew exactly what he was doing in casting three attractive young Disney and ABC Family actresses (Selena Gomez, Vanessa Hudgens, Ashley Benson) to star along with his wife (Rachel Korine) in this tale of four thrill-seeking college students and their week of danger and debauchery over spring break.

The director is certainly exploiting each of the young women’s good-girl image to make the movie more titillating (which, despite the four young leads spending nearly the entire time in bikinis, it’s really not) while allowing each actress a chance to push outside the limits of kinds of roles they are usually known for.

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