Drama

Les Misérables

  • Title: Les Misérables
  • IMDB: link

les-miserables-poster

As someone who has never read Victor Hugo’s novel nor seen the musical adaptation on stage I was hardly going in to Les Misérables completely blind, but I was certainly coming from a different perspective from that of people who know either version of the source material by heart.

Clocking in with a running time of more than two-and-a-half hours, Les Misérables refuses to skimp in big set pieces (such as the opening sequence set in the Bagne of Toulon), large themes (faith, freedom, liberty, and morality), or filling out its roster with several big name stars.

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Arbitrage

  • Title: Arbitrage
  • IMDB: link

arbitrage-dvdBy outward appearances Robert Miller (Richard Gere) has it all. The hedge fund manager has a thriving family business, a loving wife (Susan Sarandon), and devoted children (Brit Marling, Austin Lysy). And one moment on a deserted street will threaten to take it all away.

While getting out of town for some alone time with his mistress (Laetitia Casta), Miller loses control and crashes her car. Although he walks away with minor scrapes and bruises, his mistress isn’t so lucky. While trying to navigate the complicated sale of his company to an elusive businessman (Graydon Carter) and hide using his company’s money for personal use from both his family and the IRS, Miller cannot afford the scrutiny an accident like this would bring.

Fleeing the scene with the help of the son (Nate Parker) of a longtime employee, Miller tries to keep one step ahead of an investigation led by a cop with a hard-on to take him down (Tim Roth), and make sure the sale goes through.

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Hitchcock

  • Title: Hitchcock
  • IMDB: link

“And that, madame, is why the call me ‘The Master of Suspense.'”

hitchcock-posterBased on the book by Stephen Rebello, director Sacha Gervasi‘s Hitchcock is more centered on director Alfred Hitchcock‘s personal life and the enormous stress of his widely unpopular decision to follow up North by Northwest with Psycho than the actual filming of the movie. The result is insanely well-cast and immensely enjoyable study of the famous director and the most important woman in his life, his wife Alma Reville (Helen Mirren).

The film succeeds beyond my expectations on the strength of three terrific performances. Hopkins, no stranger to throwing on prosthetics to play a larger than life historical figure (Nixon), is transformed into the famous director who is equal parts genius and spoiled child. Mirren is perfect as the loyal wife, who has never gotten her due for being Hitchcock’s most trusted collaborator, who simply wants to spend a little time with a charming old friend (Danny Huston) working on a new project. And Scarlett Johansson brings more than just a pretty face to her portrayal of Psycho actress Janet Leigh who never loses her professionalism even when the director crosses the line.

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Anna Karenina

  • Title: Anna Karenina
  • IMDb: link

“Sin has a price, you can be sure of that.”

anna-karenina-posterAttempting another historical adaptation of classic literature, while re-teaming with leading lady Keira Knightley (with whom he collaborated on both Pride & Prejudice and Atonement), director Joe Wright delivers the unexpected with an evocative and dazzling adaptation of Leo Tolstoy‘s legendary novel Anna Karenina.

Limited by budgetary considerations and an unwillingness to repurpose locations other adaptations of Tolstoy’s work, or those used by various recent historical dramas, Wright hit upon an extraordinary idea to breathe new life in the staid genre by staging a setting that transforms around its characters. The result is a game changer in how movies like Anna Karenina are told and a serious contender for the best film of 2012.

Set in Russia during the late 19th Century our story concerns rich socialite Anna Karenina (Knightley), her marriage to an honorable but bland government official (Jude Law), and her temptation and eventual affair with the far more dashing Count Vronsky (Aaron Taylor-Johnson).

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Dancing, Crazy People, and the Philadelphia Eagles

  • Title: Silver Linings Playbook
  • IMDB: link

silver-linings-playbook-posterWith his latest movie, Silver Linings Playbook, writer/director David O. Russell (The Fighter, Three Kings) delivers his most mainstream film to date in this adaptation of Matthew Quick‘s novel of the same name about a teacher (Bradley Cooper) who moves back in with his parents (Robert De NiroJacki Weaver) after spending eight months in a mental institution. At times I think Russell can get too cute for his own good (see I Heart Huckabees), but Silver Linings provides the director the kind of manic characters he enjoys while still forcing him draw within the lines. The result is one of the year’s best films.

Our story begins with the release of Pat (Cooper) from his stint in the loony bin after brutally assaulting a fellow teacher who he discovers sleeping with his wife (Brea Bee). Armed with medication he refuses to take and an optimistic attitude of winning back his wife (despite being still haunted by her infidelity), putting his life back together, and looking for the silver lining in every bad situation, Pat begins his slow (and rocky) road to recovery.

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