Drama

The King’s Speech

/ / Movie Reviews
  • Title: The King’s Speech
  • IMDB: link

In the age of the Internet and high speed wireless devices comes a tale about radio. When you’ve got you’re entire music library on a MP3 player, and can get your news from any number of 24-hour cable news channels, it’s easy to forget how vital a communication device radio was, and how a single speech could change the tide of history.

The King’s Speech begins and ends with speeches by Prince Albert, Duke of York (Colin Firth) who would go on to rule the British Empire as King George VI. The differences between the speech he gives at at the British Empire Exhibition at Wembley as the King’s son and the famous speech he gave as King to the British people, uniting them as they marched to war, is what the film is all about.

Written by David Seidler and directed by Tom Hooper, The King’s Speech gives us a rousing performance by an actor at the height of his game, and a traditional story masterfully retold.

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Somewhere

/ / Movie Reviews
  • Title: Somewhere
  • IMDB: link

Slow-paced, and deeply personal, writer/director Sofia Coppola‘s latest project isn’t for everyone, but it suits me fine. This semi-autobiographical, intimate look at a young daughter’s relationship to her celebrity father opens with fifteen minutes (of the films 96 minute running time) without any dialogue. American audiences may well struggle with the very old school European style of storytelling, but if you have the patience Somewhere has much to share.

Stephen Dorff stars as Hollywood star Johnny Marco. Johnny’s life consists mainly of making movies, attending press conferences, living out of a hotel (the Chateau Marmont, where much of the film was shot), paying strippers (Kristina and Karissa Shannon) to perform in his home, hosting parties, sleeping with a variety of sexy strangers, and spending time with his pre-teen daughter Cleo (Elle Fanning). Every detail of Johnny’s professional life is planned by an unseen voice over the phone (Amanda Anka) telling him when and where he’s needed, and his personal life consists mostly of waiting for his next set of instructions.

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The Fighter

/ / Movie Reviews
  • Title: The Fighter
  • IMDB: link

Far more about family than boxing, The Fighter stars Mark Wahlberg as Mickey Ward, a middling junior welterweight professional boxer from Lowell, Massachusetts, who grew up with several sisters and an older half-brother, Dicky Eklund (Christian Bale), a once talented boxer who wasted his career away on crack and tomfoolery.

Everyone is well-cast and the performances, especially that of Bale, are top notch. The film includes clips of the real Mickey and Dicky during the closing credits and Bale is spot-on in his portrayal. The biggest surprise for me, however, was Amy Adams putting out a strong performance far outside her comfort zone by playing against type.

The script has been kicked around Hollywood for the better part of the decade with several names attached to direct (Martin Scorsese, Darren Aronofsky) and star (Brad Pitt, Matt Damon). Eventually David O. Russell was given the chance to direct Wahlberg and Bale. Maybe they should have waited a little longer.

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Black Swan

/ / Movie Reviews
  • Title: Black Swan
  • IMDB: link

Darren Aronofsky is a weird dude. Talented, but weird. The latest from the director who has given us The Fountain, Pi, and Reqiuem for a Dream is a journey into madness. Black Swan, his companion piece to The Wrestler, examines the the insular world of ballet through the tormented mind of a rising star.

Nina (Natalie Portman), a sheltered but talented ballet dancer, is on the cusp of stardom after being chosen by a demanding director (Vincent Cassel) for the lead role in his new interpretation of Swan Lake. The pressure of the role added to the smothering affection of an over-attentive mother (Barbara Hershey), and the arrival of a talented new dancer (Mila Kunis) begin to fracture Nina’s world as she starts to have experiences that cannot be rationally explained. These include, but are not limited to, hallucinations of strange bird-like creatures, seeing herself on the street, a growing paranoia, and an odd rash on her back as well as fingers which bleed without cause. No one else notices what is happening to her.

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127 Hours

/ / Movie Reviews
  • Title: 127 Hours
  • IMDB: link

There are certain movies that become impossible to separate from your specific movie-going experience. 127 Hours is such a movie for me.

I had heard the advance hype on Danny Boyle’s dramatic and joyous 127 Hours from the festival circuit: People are passing out in the theater because one particular scene in the movie is so intense.

Without giving too much away, the film is based on the true story of college student Aron Ralston (played by James Franco), who found his right arm trapped under a boulder on a solo mountaineering weekend in a remote Utah canyon. The infamous scene occurs towards the end of the film.

Through a combination of sound effects and music (along with the added dread of knowing what was coming for the 80 minutes leading up to the scene), Boyle created a sequence that had me raising one hand in front of my face. There is certainly a bit of a gory element to it, but that is unavoidable—and I humbly submit that it’s not the gore that is so affecting.

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