Drama

An Education

/ / Movie Reviews
  • Title: An Education
  • IMDB: link

An Education is based on the autobiographical memoir of Lynn Barber. Set in 1950, the story centers around 16 year-old Jenny Miller (Carey Mulligan) and her relationship with a charismatic older David Goldman gentleman caller (Peter Sarsgaard) who turns her world upside down.

What follows is a May/December romance that everyone sees happening, including Jenny, her teachers, and her parents (Alfred Molina, Cara Seymour), but no one can prevent.

Mulligan provides the heart of the film, and will no doubt recieve a fair amount of praise for her performance. Although I’d seen her in small roles as one of the Bennet sisters in Pride & Prejudice and one of my favorite Doctor Who episodes, I didn’t know she could carry the bulk of a quiet dramatic film on her own.

As good as she is, it’s Sarsgaard’s performance that I was most impressed with. There’s little to like about David, especially as the film slowly reveals more damaged layers of his character.

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A Serious (and downright pathetic) Man

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  • Title: A Serious Man
  • IMDB: link

a-serious-man-posterFrom the minds of the Coen brothers comes this tale of a rather pathetic Jewish professor of physics in late 60’s Minnesota. Larry Gopnik (Michael Stuhlbarg) is having all kinds of problems, from the serious to the mundane.

Larry is indeed A Serious Man, and one whose existence isn’t likely to be improved over the course of the film. Though you have a feeling if he could see the dark humor of his own situation he might laugh himself to death.

His wife (Sari Lennick) has decided to leave him for a widower (Fred Melamed), his unemployed brother (Richard Kind) is living on his couch, his daughter (Jessica McManus) is stealing from him, a student unsatisfied with his grade (David Kang) and his family are bribing and threatening him, a neighbor wants to build a shed on his property, the committe deciding on his tenure at the college is receiving unflattering letters about the professor, and he’s being hounded by a telephone calls from a man demanding money for records Larry neither asked for nor received.

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Whip It

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  • Title: Whip It
  • IMDB: link

whip-it-posterDrew Barrymore might have found a new career as a director of offbeat films. (Better that than starring in more forgettable romcoms or Charlie’s Angels 3).

Although Whip It is rough, which you would expect from a first-time director, Barrymore provides an engaging and unexpectedly good sports movie.

Ellen Page stars as Bliss Cavendar, a 17 year-old small town girl who becomes instantly fascinated by the world of roller derby. Stuck in the beauty contest world of her controlling mother, Bliss finds solace, and the opportunity to find herself, in something new.

Lying about her age, Bliss is selected to be part of the team of misfits known as the Hurl Scouts who are just as happy to come in second place, perhaps even more so, than actually win a contest.

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Band5slam

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  • Title: Bandslam
  • IMDb: link

bandslam-posterBandslam is a cliched, hackneyed, overdone, montage-filled paint-by-numbers tale of teenage angst, love, lessons about life, and triumph.

And yet it’s still better than G.I. Joe: The Rise of Cobra. As unoriginal, and at times truly awful, this film is, it’s also got a little spark which provides moments better than they have any right to be. In no uncertain terms Bandslam is a trainwreck, but it’s a trainwreck with cute young girls, some spirit, and passable music. It’s exactly what you expect a teen musical, made in part by Walden Media, to be.

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Public Enemies

/ / Movie Reviews
  • Title: Public Enemies
  • IMDB: link

public-enemies-posterWell, it’s not my favorite Michael Mann film, and is sure not The Untouchables, but for all it’s faults, Public Enemies is still a fair film filled with some great moments, and it’s worth a good long look.

The story is centered around bank robber extraordinaire John Dillinger (Johnny Depp). We don’t learn much about Dillinger over the course of the film other than he’s the brains of the operation, well respected among other robbers, disliked by the mob for bringing attention on them, and an all around good guy (at least for a robber and murderer).

Rather than give us a character study or a balanced look at both cops and robbers, like he did in Heat, Michael Mann instead shifts the camera to zoom in on how this man’s mere presence affected those around him. The cops, led by (Christian Bale) begin to take shortcuts and cross many important lines in their quest to apprehend their prey. The most gruesome of these is the questioning of Dillinger’s girl (played magnificently by Marion Cotillard) with an old-school cop brutality that isn’t easy to watch.

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