Drama

Australia, The Movie That Wouldn’t End

  • Title: Australia
  • IMDB: link

Australia is a mess; it’s at times a pretty mess, but a mess nonetheless.  The seemingly endless tale of a dover and an aristocrat, and a Aboriginal child, and an evil cattle baron and his evil assistant, of cattle drives and social conventions, and so much more, would have been better suited for a mini-series than a single feature film.  Instead we get at least 12 hours of plot cut together into a 3 hour movie.  The result is less than spectacular.

Where to begin?  Director and co-writer Baz Luhrmann gives us an epic (in time though not scope) tale about Australia.  Over the course of nearly 3 hours we follow the troubles and tribulations of our main characters, plus many side tales, until finally it all mercifully comes to an end.

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Milk

  • Title: Milk
  • IMDB: link

“I’m Harvey Milk and I’m here to recruit you.”

Sean Penn stars as Harvey Milk, a businessman from New York who would struggle for years in an attempt to become San Francisco’s first openly gay elected official.

The film follows the failed campaigns and the process of organizing and entire community into public activism.  Director Gus Van Sant also spends considerable time on Harvey’s friendships and love life, giving us a complete picture of the man from his days before politics to his untimely end.

Penn is terrific as the lead.  Emile Hirsch, James Franco, Diego Luna, and Alison Pill all put in strong performances as the constellations which revolve around Hervey’s world.

Van Sant does a good job in showing us how Harvey related to the rest of the world.  Although the big public moments are meant to get your attention, its the quieter and more intimate ones that are more memorable.  Though those uncomfortable with gay relationships might want to steer clear of this one.

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The Boy in the Striped Pajamas

  • Title: The Boy in the Striped Pajamas
  • IMDB: link

The lens of childhood innocence is a powerful method to shine light on many subjects.  In The Boy in the Striped Pajamas the son of a Concentration Commandant befriends a young Jew in the “farm” next door.  As events slowly unfold young Bruno (Asa Butterfield) discovers the world isn’t the simple place he once believed.

Bruno is a normal 8 year-old boy with a loving mother (Vera Farmiga), a protective older sister (Amber Beattie), and a father (David Thewlis) who he is proud of.  Oh, did I forget to mention that the film is set in Germany during WWII and Bruno’s father is an SS officer?

When his father takes a promotion the family moves from Berlin to a fortified house in the country, near what Bruno takes for a farm filled with strange people in striped pajamas.  When he inquires about the new neighbors Bruno is ordered to stay far away, which, for a inquisitive, curious 8 year-old, is the perfect temptation.

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Synecdoche

  • Title: Synecdoche, New York
  • IMDB: link

“Knowing that you don’t know is the first essential step to knowing, you know?”

Caden (Philip Seymour Hoffman) is a theater director dealing with a myriad of problems, both physical and emotional which includes his inability to understand the passage of time (he can’t tell the difference between a few weeks and a few years), postules, eye and teeth issues, and his unsuccessful relationships with women (Catherine Keener, Michelle Williams, Samantha Morton, and others).

Into this dysfunctional existence comes a MacArthur genius grant (seemingly funded until the end of time) which allows Caden to create his own masterpiece.  Decades later the project takes up several square blocks, employs hundreds, has become a mirror to Caden’s failures (complete with extras who begin playing the extras, who have now themselves become characters in the play), and is no closer to being finished.

That’s about all I can tell you about the plot since its dreamlike nature makes it hard to say how much, or how little, is reality or Caden’s wild imaginings.

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Rachel Getting Married

  • Title: Rachel Getting Married
  • IMDb: link

“I am Shiva the Destroyer and your harbinger of doom for this evening.”

Kym (Anne Hathaway) is released from rehab for her sister Rachel’s (Rosemarie DeWitt) wedding.  Although sober, Kym is still a bit shaky with deep unresolved issues which will be brought into sharp focus over the course of the weekend.

Director Jonathan Demme, having learned much from his time making documentaries, gives us a chance to view the action as if we are one of the other guests attending the wedding.  The natural low-key approach gives the film a loook at feel more like a documentary than a feature film.  There are several moments including the rehearsal dinner where the events unfold so naturally I wonder how much, if anything, was scripted.

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